The Canadian Short Story
Interpretations
Herausgeber: Nischik, Reingard M
The Canadian Short Story
Interpretations
Herausgeber: Nischik, Reingard M
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The first anthology of critical interpretations of major Canadian short stories.
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The first anthology of critical interpretations of major Canadian short stories.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Boydell & Brewer
- Seitenzahl: 438
- Erscheinungstermin: 1. Dezember 2010
- Englisch
- Abmessung: 229mm x 152mm x 23mm
- Gewicht: 585g
- ISBN-13: 9781571134790
- ISBN-10: 1571134794
- Artikelnr.: 29941802
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: Boydell & Brewer
- Seitenzahl: 438
- Erscheinungstermin: 1. Dezember 2010
- Englisch
- Abmessung: 229mm x 152mm x 23mm
- Gewicht: 585g
- ISBN-13: 9781571134790
- ISBN-10: 1571134794
- Artikelnr.: 29941802
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
The Canadian Short Story: Status, Criticism, Historical Survey - Reingard
M. Nischik Canadian Animal Stories: Charles G.D. Roberts, "Do Seek Their
Meat from God" (1892) - Martina Seifert Tory Humanism, Ironic Humor, and
Satire: Stephen Leacock, "The Marine Excursion of the Knights of Pythias"
(1912) - Heinz Antor The Beginnings of Canadian Modernism: Raymond Knister,
"The First Day of Spring" (written 1924/25) - Julia Breitbach From Old
World Aestheticist Immoralist to Prairie Moral Realist: Frederick Philip
Grove, "Snow" (1926/32) - Konrad Gross Psychological Realism, Immigration,
and City Fiction: Morley Callaghan, "Last Spring They Came Over" (1927) -
Paul Goetsch Modernism, Prairie Fiction, and Gender: Sinclair Ross, "The
Lamp at Noon" (1938) - Dieter Meindl "An Artful Artlessness": Ethel Wilson,
"We Have to Sit Opposite" (1945) - Nina Kuck Social Realism and Compassion
for the Underdog: Hugh Garner, "One-Two-Three Little Indians" (1950) -
Stefan Ferguson The Perils of Human Relationships: Joyce Marshall, "The Old
Woman" (1952) - Rudolf Bader The Social Critic at Work: Mordecai Richler,
"Benny, the War in Europe, and Myerson's Daughter Bella" (1956) - Fabienne
C. Quennet Myth and the Postmodernist Turn in Canadian Short Fiction:
Sheila Watson, "Antigone" (1959) - Martin Kuester The Modernist Aesthetic:
Hugh Hood, "Flying a Red Kite" (1962) - Jutta Zimmermann Doing Well in the
International Thing?: Mavis Gallant, "The Ice Wagon Going Down the Street"
(1963) - Silvia Mergenthal (Un-) Doing Gender: Alice Munro, "Boys and
Girls" (1964) - Reingard M. Nischik Collective Memory and Personal Identity
in the Prairie Town of Manawaka: Margaret Laurence, "The Loons" (1966) -
Caroline Rosenthal "Out of Place": Clark Blaise, "A Class of New Canadians"
(1970) - Wolfgang Klooss Realsim and Parodic Postmodernism: Audrey Thomas,
"Aquarius" (1971) - Lothar Honnighausen "The Problem Is to Make the Story":
Rudy Wiebe, "Where Is the Voice Coming From?" (1971) - Heinz Ickstadt The
Canadian Writer as Expatriate: Norman Levine, "We All Begin in a Little
Magazine" (1972) - Gordon Bolling Canadian Artist Stories: John Metcalf,
"The Strange Aberration of Mr. Ken Smythe" (1973) - Reingard M. Nischik "A
Literature of a Whole World and of a Real World": Jane Rule, "Lilian"
(1977) - Christina Strobel Failure as Liberation: Jack Hodgins, "The
Concert Stages of Europe" (1978) - Waldemar Zacharasiewicz Figures in a
Landscape: William Dempsey Valgardson, "A Matter of Balance" (1982) - Maria
Loschnigg Figures in a Landscape: William Dempsey Valgardson, "A Matter of
Balance" (1982) - Martin Loschnigg "The Translation of the World into
Words" and the Female Tradition: Margaret Atwood, "Significant Moments in
the Life of My Mother" (1983) - Reingard M. Nischik "Southern Preacher":
Leon Rooke, "The Woman Who Talked to Horses" (1984) - Nadja Gernalzick
Nativeness as Third Space: Thomas King, "Borders" (1991) - Eva Gruber
Digressing to Inner Worlds: Carol Shields, "Our Men and Women" (1999) -
Brigitte Glaser A Sentimental Journey: Janice Kulyk Keefer,
"Dreams:Storms:Dogs" (1999) - Georgiana Banita Further Reading on the
Canadian Short Story Time Chart: The Short Story in the USA, Canada, and
Great Britain Notes on the Contributors Index
M. Nischik Canadian Animal Stories: Charles G.D. Roberts, "Do Seek Their
Meat from God" (1892) - Martina Seifert Tory Humanism, Ironic Humor, and
Satire: Stephen Leacock, "The Marine Excursion of the Knights of Pythias"
(1912) - Heinz Antor The Beginnings of Canadian Modernism: Raymond Knister,
"The First Day of Spring" (written 1924/25) - Julia Breitbach From Old
World Aestheticist Immoralist to Prairie Moral Realist: Frederick Philip
Grove, "Snow" (1926/32) - Konrad Gross Psychological Realism, Immigration,
and City Fiction: Morley Callaghan, "Last Spring They Came Over" (1927) -
Paul Goetsch Modernism, Prairie Fiction, and Gender: Sinclair Ross, "The
Lamp at Noon" (1938) - Dieter Meindl "An Artful Artlessness": Ethel Wilson,
"We Have to Sit Opposite" (1945) - Nina Kuck Social Realism and Compassion
for the Underdog: Hugh Garner, "One-Two-Three Little Indians" (1950) -
Stefan Ferguson The Perils of Human Relationships: Joyce Marshall, "The Old
Woman" (1952) - Rudolf Bader The Social Critic at Work: Mordecai Richler,
"Benny, the War in Europe, and Myerson's Daughter Bella" (1956) - Fabienne
C. Quennet Myth and the Postmodernist Turn in Canadian Short Fiction:
Sheila Watson, "Antigone" (1959) - Martin Kuester The Modernist Aesthetic:
Hugh Hood, "Flying a Red Kite" (1962) - Jutta Zimmermann Doing Well in the
International Thing?: Mavis Gallant, "The Ice Wagon Going Down the Street"
(1963) - Silvia Mergenthal (Un-) Doing Gender: Alice Munro, "Boys and
Girls" (1964) - Reingard M. Nischik Collective Memory and Personal Identity
in the Prairie Town of Manawaka: Margaret Laurence, "The Loons" (1966) -
Caroline Rosenthal "Out of Place": Clark Blaise, "A Class of New Canadians"
(1970) - Wolfgang Klooss Realsim and Parodic Postmodernism: Audrey Thomas,
"Aquarius" (1971) - Lothar Honnighausen "The Problem Is to Make the Story":
Rudy Wiebe, "Where Is the Voice Coming From?" (1971) - Heinz Ickstadt The
Canadian Writer as Expatriate: Norman Levine, "We All Begin in a Little
Magazine" (1972) - Gordon Bolling Canadian Artist Stories: John Metcalf,
"The Strange Aberration of Mr. Ken Smythe" (1973) - Reingard M. Nischik "A
Literature of a Whole World and of a Real World": Jane Rule, "Lilian"
(1977) - Christina Strobel Failure as Liberation: Jack Hodgins, "The
Concert Stages of Europe" (1978) - Waldemar Zacharasiewicz Figures in a
Landscape: William Dempsey Valgardson, "A Matter of Balance" (1982) - Maria
Loschnigg Figures in a Landscape: William Dempsey Valgardson, "A Matter of
Balance" (1982) - Martin Loschnigg "The Translation of the World into
Words" and the Female Tradition: Margaret Atwood, "Significant Moments in
the Life of My Mother" (1983) - Reingard M. Nischik "Southern Preacher":
Leon Rooke, "The Woman Who Talked to Horses" (1984) - Nadja Gernalzick
Nativeness as Third Space: Thomas King, "Borders" (1991) - Eva Gruber
Digressing to Inner Worlds: Carol Shields, "Our Men and Women" (1999) -
Brigitte Glaser A Sentimental Journey: Janice Kulyk Keefer,
"Dreams:Storms:Dogs" (1999) - Georgiana Banita Further Reading on the
Canadian Short Story Time Chart: The Short Story in the USA, Canada, and
Great Britain Notes on the Contributors Index
The Canadian Short Story: Status, Criticism, Historical Survey - Reingard
M. Nischik Canadian Animal Stories: Charles G.D. Roberts, "Do Seek Their
Meat from God" (1892) - Martina Seifert Tory Humanism, Ironic Humor, and
Satire: Stephen Leacock, "The Marine Excursion of the Knights of Pythias"
(1912) - Heinz Antor The Beginnings of Canadian Modernism: Raymond Knister,
"The First Day of Spring" (written 1924/25) - Julia Breitbach From Old
World Aestheticist Immoralist to Prairie Moral Realist: Frederick Philip
Grove, "Snow" (1926/32) - Konrad Gross Psychological Realism, Immigration,
and City Fiction: Morley Callaghan, "Last Spring They Came Over" (1927) -
Paul Goetsch Modernism, Prairie Fiction, and Gender: Sinclair Ross, "The
Lamp at Noon" (1938) - Dieter Meindl "An Artful Artlessness": Ethel Wilson,
"We Have to Sit Opposite" (1945) - Nina Kuck Social Realism and Compassion
for the Underdog: Hugh Garner, "One-Two-Three Little Indians" (1950) -
Stefan Ferguson The Perils of Human Relationships: Joyce Marshall, "The Old
Woman" (1952) - Rudolf Bader The Social Critic at Work: Mordecai Richler,
"Benny, the War in Europe, and Myerson's Daughter Bella" (1956) - Fabienne
C. Quennet Myth and the Postmodernist Turn in Canadian Short Fiction:
Sheila Watson, "Antigone" (1959) - Martin Kuester The Modernist Aesthetic:
Hugh Hood, "Flying a Red Kite" (1962) - Jutta Zimmermann Doing Well in the
International Thing?: Mavis Gallant, "The Ice Wagon Going Down the Street"
(1963) - Silvia Mergenthal (Un-) Doing Gender: Alice Munro, "Boys and
Girls" (1964) - Reingard M. Nischik Collective Memory and Personal Identity
in the Prairie Town of Manawaka: Margaret Laurence, "The Loons" (1966) -
Caroline Rosenthal "Out of Place": Clark Blaise, "A Class of New Canadians"
(1970) - Wolfgang Klooss Realsim and Parodic Postmodernism: Audrey Thomas,
"Aquarius" (1971) - Lothar Honnighausen "The Problem Is to Make the Story":
Rudy Wiebe, "Where Is the Voice Coming From?" (1971) - Heinz Ickstadt The
Canadian Writer as Expatriate: Norman Levine, "We All Begin in a Little
Magazine" (1972) - Gordon Bolling Canadian Artist Stories: John Metcalf,
"The Strange Aberration of Mr. Ken Smythe" (1973) - Reingard M. Nischik "A
Literature of a Whole World and of a Real World": Jane Rule, "Lilian"
(1977) - Christina Strobel Failure as Liberation: Jack Hodgins, "The
Concert Stages of Europe" (1978) - Waldemar Zacharasiewicz Figures in a
Landscape: William Dempsey Valgardson, "A Matter of Balance" (1982) - Maria
Loschnigg Figures in a Landscape: William Dempsey Valgardson, "A Matter of
Balance" (1982) - Martin Loschnigg "The Translation of the World into
Words" and the Female Tradition: Margaret Atwood, "Significant Moments in
the Life of My Mother" (1983) - Reingard M. Nischik "Southern Preacher":
Leon Rooke, "The Woman Who Talked to Horses" (1984) - Nadja Gernalzick
Nativeness as Third Space: Thomas King, "Borders" (1991) - Eva Gruber
Digressing to Inner Worlds: Carol Shields, "Our Men and Women" (1999) -
Brigitte Glaser A Sentimental Journey: Janice Kulyk Keefer,
"Dreams:Storms:Dogs" (1999) - Georgiana Banita Further Reading on the
Canadian Short Story Time Chart: The Short Story in the USA, Canada, and
Great Britain Notes on the Contributors Index
M. Nischik Canadian Animal Stories: Charles G.D. Roberts, "Do Seek Their
Meat from God" (1892) - Martina Seifert Tory Humanism, Ironic Humor, and
Satire: Stephen Leacock, "The Marine Excursion of the Knights of Pythias"
(1912) - Heinz Antor The Beginnings of Canadian Modernism: Raymond Knister,
"The First Day of Spring" (written 1924/25) - Julia Breitbach From Old
World Aestheticist Immoralist to Prairie Moral Realist: Frederick Philip
Grove, "Snow" (1926/32) - Konrad Gross Psychological Realism, Immigration,
and City Fiction: Morley Callaghan, "Last Spring They Came Over" (1927) -
Paul Goetsch Modernism, Prairie Fiction, and Gender: Sinclair Ross, "The
Lamp at Noon" (1938) - Dieter Meindl "An Artful Artlessness": Ethel Wilson,
"We Have to Sit Opposite" (1945) - Nina Kuck Social Realism and Compassion
for the Underdog: Hugh Garner, "One-Two-Three Little Indians" (1950) -
Stefan Ferguson The Perils of Human Relationships: Joyce Marshall, "The Old
Woman" (1952) - Rudolf Bader The Social Critic at Work: Mordecai Richler,
"Benny, the War in Europe, and Myerson's Daughter Bella" (1956) - Fabienne
C. Quennet Myth and the Postmodernist Turn in Canadian Short Fiction:
Sheila Watson, "Antigone" (1959) - Martin Kuester The Modernist Aesthetic:
Hugh Hood, "Flying a Red Kite" (1962) - Jutta Zimmermann Doing Well in the
International Thing?: Mavis Gallant, "The Ice Wagon Going Down the Street"
(1963) - Silvia Mergenthal (Un-) Doing Gender: Alice Munro, "Boys and
Girls" (1964) - Reingard M. Nischik Collective Memory and Personal Identity
in the Prairie Town of Manawaka: Margaret Laurence, "The Loons" (1966) -
Caroline Rosenthal "Out of Place": Clark Blaise, "A Class of New Canadians"
(1970) - Wolfgang Klooss Realsim and Parodic Postmodernism: Audrey Thomas,
"Aquarius" (1971) - Lothar Honnighausen "The Problem Is to Make the Story":
Rudy Wiebe, "Where Is the Voice Coming From?" (1971) - Heinz Ickstadt The
Canadian Writer as Expatriate: Norman Levine, "We All Begin in a Little
Magazine" (1972) - Gordon Bolling Canadian Artist Stories: John Metcalf,
"The Strange Aberration of Mr. Ken Smythe" (1973) - Reingard M. Nischik "A
Literature of a Whole World and of a Real World": Jane Rule, "Lilian"
(1977) - Christina Strobel Failure as Liberation: Jack Hodgins, "The
Concert Stages of Europe" (1978) - Waldemar Zacharasiewicz Figures in a
Landscape: William Dempsey Valgardson, "A Matter of Balance" (1982) - Maria
Loschnigg Figures in a Landscape: William Dempsey Valgardson, "A Matter of
Balance" (1982) - Martin Loschnigg "The Translation of the World into
Words" and the Female Tradition: Margaret Atwood, "Significant Moments in
the Life of My Mother" (1983) - Reingard M. Nischik "Southern Preacher":
Leon Rooke, "The Woman Who Talked to Horses" (1984) - Nadja Gernalzick
Nativeness as Third Space: Thomas King, "Borders" (1991) - Eva Gruber
Digressing to Inner Worlds: Carol Shields, "Our Men and Women" (1999) -
Brigitte Glaser A Sentimental Journey: Janice Kulyk Keefer,
"Dreams:Storms:Dogs" (1999) - Georgiana Banita Further Reading on the
Canadian Short Story Time Chart: The Short Story in the USA, Canada, and
Great Britain Notes on the Contributors Index