The Canterbury Sound in Popular Music
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The term 'Canterbury sound' emerged in the late 60s and early 70s to refer to a signature style within psychedelic and progressive rock. Canterbury Sound in Popular Music:Scene, Identity and Myth explores Canterbury as a metaphor and reality, a symbolic space of music inspiration which has produced its distinctive 'sound'.

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Produktbeschreibung
The term 'Canterbury sound' emerged in the late 60s and early 70s to refer to a signature style within psychedelic and progressive rock. Canterbury Sound in Popular Music:Scene, Identity and Myth explores Canterbury as a metaphor and reality, a symbolic space of music inspiration which has produced its distinctive 'sound'.
Autorenporträt
Asya Draganova is a Lecturer in Popular Music Culture at Birmingham City University, UK, and co-leader of the Popular Music Research Cluster at the Birmingham Centre for Media and Cultural Research. She is the author of Popular Music in Contemporary Bulgaria (2019). Shane Blackman is Professor of Cultural Studies at Canterbury Christ Church University, UK. He has authored and co-authored many books on youth culture, including The Subcultural Imagination (2016), and is an Editor of the International Journal of Youth Studies. Andy Bennett is Professor of Cultural Sociology at Griffith University, Australia. His numerous publications include Popular Music and Youth Culture, Music, Style and Aging (2012) and Music Scenes (co-edited with Richard A. Peterson, 2004).