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Traditionally, popular music has long been said to intrinsically contest, resist, and defy the powers that be. This new book challenges this long-standing orthodoxy, arguing that popular music more often participates in the social reproduction of the biggest power there is: neoliberal capitalism. 11 b&w illus.

Produktbeschreibung
Traditionally, popular music has long been said to intrinsically contest, resist, and defy the powers that be. This new book challenges this long-standing orthodoxy, arguing that popular music more often participates in the social reproduction of the biggest power there is: neoliberal capitalism. 11 b&w illus.
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Autorenporträt
Charles Fairchild is associate professor of popular music at the University of Sydney and the author of Musician in the Museum: Display and Power in Neoliberal Popular Culture, Sounds, Screens, and Speakers, Danger Mouse's The Grey Album, and Music, Radio and the Public Sphere.