Tracing the dual alphabet from its intervention by Carolingian scribes to its rejection by modernist poets and the Bauhaus printers, Edwards shows how Charles Dickens and other nineteenth century writers used the distinction between upper and lower case letters in unconventional ways and in the interests of a wider radicalism.
Tracing the dual alphabet from its intervention by Carolingian scribes to its rejection by modernist poets and the Bauhaus printers, Edwards shows how Charles Dickens and other nineteenth century writers used the distinction between upper and lower case letters in unconventional ways and in the interests of a wider radicalism.
Gavin Edwards is Emeritus Professor of English at the University of South Wales
Inhaltsangabe
1 Introduction: The case of the initial letter 2 Typographic leveling in an age of revolution 3 The Land of Liberty 4 Dombey - and Son - and Daughter 5 People things and abstractions 6 Print capitalism 7 Freedom Equality Property and Bentham 8 Writin'large 9 PIP and D O C T O R M A R I G O L D 10 Dickens the suffragists and proto-modernism Bibliography Index
1 Introduction: The case of the initial letter 2 Typographic leveling in an age of revolution 3 The Land of Liberty 4 Dombey - and Son - and Daughter 5 People things and abstractions 6 Print capitalism 7 Freedom Equality Property and Bentham 8 Writin'large 9 PIP and D O C T O R M A R I G O L D 10 Dickens the suffragists and proto-modernism Bibliography Index
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