The Case of Wagner and Nietzsche Contra Wagner - Nietzsche, Friedrich Wilhelm
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"The Case of Wagner" is a critique of German composer Richard Wagner in which Friedrich Nietzsche makes a very public split with the musician. Nietzsche found himself at odds with Wagner's increasing involvement in the Völkisch movement and anti-Semitism. The critique of Wagner is something that is seen throughout Nietzsche's work, beginning with "The Birth of Tragedy", wherein he praised Wagner as fulfilling a need in music to go beyond the analytic and dispassionate understanding of music. Further praise for the musician can be found in Nietzsche's essay 'Wagner at Bayreuth', contained in…mehr

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Produktbeschreibung
"The Case of Wagner" is a critique of German composer Richard Wagner in which Friedrich Nietzsche makes a very public split with the musician. Nietzsche found himself at odds with Wagner's increasing involvement in the Völkisch movement and anti-Semitism. The critique of Wagner is something that is seen throughout Nietzsche's work, beginning with "The Birth of Tragedy", wherein he praised Wagner as fulfilling a need in music to go beyond the analytic and dispassionate understanding of music. Further praise for the musician can be found in Nietzsche's essay 'Wagner at Bayreuth', contained in "Untimely Meditations". However in "Human, All Too Human", Nietzsche begins to express his disillusion with Wagner the composer and the man. "The Case of Wagner" was one of the last works authored by Nietzsche. It was followed by "Nietzsche contra Wagner", also included in this edition, in which Nietzsche summarizes his criticisms of Wagner from his previous writings.
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Autorenporträt
Friedrich Nietzsche, (born October 15, 1844, Röcken, Saxony, Prussia [Germany]-died August 25, 1900, Weimar, Thuringian States), German classical scholar, philosopher, and critic of culture, who became one of the most influential of all modern thinkers. His attempts to unmask the motives that underlie traditional Western religion, morality, and philosophy deeply affected generations of theologians, philosophers, psychologists, poets, novelists, and playwrights. He thought through the consequences of the triumph of the Enlightenment's secularism, expressed in his observation that "God is dead," in a way that determined the agenda for many of Europe's most-celebrated intellectuals after his death. Although he was an ardent foe of nationalism, anti-Semitism, and power politics, his name was later invoked by fascists to advance the very things he loathed.
Friedrich Nietzsche