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About a hundred and thirty years ago, when the third George, whom our grandfathers knew in his blind dotage, was a young and sturdy bridegroom; when old Q., whom 1810 found peering from his balcony in Piccadilly, deaf, toothless, and a skeleton, was that gay and lively spark, the Earl of March; when bore and boreish were words of haut ton, unknown to the vulgar, and the price of a borough was 5,000l.; when gibbets still served for sign-posts, and railways were not and highwaymen were -- to be more exact, in the early spring of the year 1767, a traveling chariot-and-four drew up about five in…mehr

Produktbeschreibung
About a hundred and thirty years ago, when the third George, whom our grandfathers knew in his blind dotage, was a young and sturdy bridegroom; when old Q., whom 1810 found peering from his balcony in Piccadilly, deaf, toothless, and a skeleton, was that gay and lively spark, the Earl of March; when bore and boreish were words of haut ton, unknown to the vulgar, and the price of a borough was 5,000l.; when gibbets still served for sign-posts, and railways were not and highwaymen were -- to be more exact, in the early spring of the year 1767, a traveling chariot-and-four drew up about five in the evening before the inn at Wheatley Bridge, a short stage from Oxford on the Oxford road. A gig and a couple of post-chaises, attended by the customary group of stablemen, topers, and gossips already stood before the house, but these were quickly deserted in favor of the more important equipage. The drawers in their aprons trooped out, but the landlord, foreseeing a rich harvest, was first at the door of the carriage and opened it with a bow such as is rarely seen in these days. "Will your lordship please to alight?" he said. "No, rascal!" cried one of those within. "Shut the door!"
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Autorenporträt
Stanley John Weyman (1855 - 1928) was an English writer of historical romance. His most popular works were written in 1890-1895 and set in late 16th and early 17th-century France. While very successful at the time, they are now largely forgotten. Weyman in his day was immensely popular and admired by Robert Louis Stevenson and Oscar Wilde. Works like The Three Musketeers by Alexandre Dumas had established a market for popular historical fiction and it was a crowded field. Contemporary rivals included Baroness Orczy, A. E. W. Mason, John Buchan and Rafael Sabatini. The biographer Reginald Pound grouped Weyman with Arnold Bennett, Anthony Hope, Aldous Huxley, Dorothy L. Sayers and Somerset Maugham as Strand writers. He is now perhaps the least familiar of all these. His greatest success came before 1895 (Under the Red Robe, A Gentleman of France and The Red Cockade) and he stopped writing entirely between 1908 and 1919. His style and focus are more typical of Victorian writers. Weyman's strength lies in historical detail, often in less familiar areas. The Long Night is based on the Duke of Savoy's attempt to storm Geneva in December 1602, an event still celebrated annually in a festival called L'Escalade. Weyman received an award from the city for his research. The financial security of early success allowed him to choose subjects of personal interest. Some had less general appeal, such as the 1832 Reform Bill (treated in Chippinge), post-1815 industrialisation (Starvecrow Farm) or the 1825 financial crisis (Ovington's Bank, reprinted in 2012 and 2015 on the back of a similar crisis in 2008). Weyman called his own books "pleasant fables" and was aware of their modest literary value.