Restores the first German feminist film, long neglected, to its rightful status as a classic forebear of more recent cinefeminism, demonstrating that the film is as relevant today as it was upon its 1968 release.
Restores the first German feminist film, long neglected, to its rightful status as a classic forebear of more recent cinefeminism, demonstrating that the film is as relevant today as it was upon its 1968 release.
HESTER BAER is Professor of German Studies and an affiliate in the Harriet Tubman Department of Women, Gender, and Sexuality Studies, University of Maryland.
Inhaltsangabe
Acknowledgments In the Driver's Seat First Feminist Film 1968 and German History "Power-War-Love" Creating the New German Feature Film Language Colors The Mythical Circe Feminist Representation and Documentary Style Alternative Imaginaries Plant Life Endings Credits Notes
Acknowledgments In the Driver's Seat First Feminist Film 1968 and German History "Power-War-Love" Creating the New German Feature Film Language Colors The Mythical Circe Feminist Representation and Documentary Style Alternative Imaginaries Plant Life Endings Credits Notes
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