The Cathedral by Joris-Karl Huysmans, Fiction, Classics, Literary, Action & Adventure - Huysmans, Joris-Karl
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The Virgin had appeared to two children on a hill. By another coincidence, this Saturday was the eve of the Festival of Our Lady of Seven Dolours. And she appeared as Our Lady of Tears in that desert landscape of stubborn rocks and dismal hills. Weeping bitterly, She had uttered reproofs and threats. The fame of this event spread far and wide; frantic thousands scrambled up fearful paths to a spot so high that trees could not grow there. Suddenly the peaks parted, a wide opening brought the train out into broad daylight; the scene lay clear before them, terrible on all sides. "Le Drac!"…mehr

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Produktbeschreibung
The Virgin had appeared to two children on a hill. By another coincidence, this Saturday was the eve of the Festival of Our Lady of Seven Dolours. And she appeared as Our Lady of Tears in that desert landscape of stubborn rocks and dismal hills. Weeping bitterly, She had uttered reproofs and threats. The fame of this event spread far and wide; frantic thousands scrambled up fearful paths to a spot so high that trees could not grow there. Suddenly the peaks parted, a wide opening brought the train out into broad daylight; the scene lay clear before them, terrible on all sides. "Le Drac!" exclaimed the Abbe Gevresin, pointing to a sort of liquid serpent at the bottom of the precipice, writhing and tossing between rocks in the very jaws of the pit.
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Autorenporträt
Charles-Marie-Georges Huysmans (1848 - 1907 in Paris) was a French novelist who published his works as Joris-Karl Huysmans. He is most famous for the novel À rebours (1884, published in English as Against the Grain or Against Nature). He supported himself by a 30-year career in the French civil service. Huysmans' work is considered remarkable for its idiosyncratic use of the French language, large vocabulary, descriptions, satirical wit and far-ranging erudition. First considered part of Naturalism, he became associated with the decadent movement with his publication of À rebours. His work expressed his deep pessimism, which had led him to the philosophy of Arthur Schopenhauer. In later years, his novels reflected his study of Catholicism, religious conversion and becoming an oblate. He discussed the iconography of Christian architecture at length in La cathédrale (1898), set at Chartres and with its cathedral as the focus of the book.