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"[The Cave] is yet another triumph . . . for Portugal's, or even the world's, greatest novelist. Read it." -- Washington Post A genuinely brilliant novel." -- Chicago Tribune Cipriano Algor, an elderly potter, lives with his daughter Marta and her husband Marçal in a small village on the outskirts of The Center, an imposing complex of shops and apartments to which Cipriano delivers his wares. One day, he is told not to make any more deliveries. Unwilling to give up his craft, Cipriano tries his hand at making ceramic dolls. Astonishingly, The Center places an order for hundreds. But just as…mehr

Produktbeschreibung
"[The Cave] is yet another triumph . . . for Portugal's, or even the world's, greatest novelist. Read it." -- Washington Post A genuinely brilliant novel." -- Chicago Tribune Cipriano Algor, an elderly potter, lives with his daughter Marta and her husband Marçal in a small village on the outskirts of The Center, an imposing complex of shops and apartments to which Cipriano delivers his wares. One day, he is told not to make any more deliveries. Unwilling to give up his craft, Cipriano tries his hand at making ceramic dolls. Astonishingly, The Center places an order for hundreds. But just as suddenly, the order is canceled and the penniless three have to move from the village into The Center. When mysterious sounds of digging emerge from beneath their new apartment, Cipriano and Marçal investigate; what they find transforms the family's life. Filled with the depth, humor, and extraordinary philosophical richness that marks all of Saramago's novels, The Cave is one of the essential books of our time.
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Autorenporträt
JOSÉ SARAMAGO (1922–2010) was the author of many novels, among them Blindness, All the Names, Baltasar and Blimunda, and The Year of the Death of Ricardo Reis. In 1998 he was awarded the Nobel Prize for Literature.
Rezensionen
What distinguishes the book is the concern Saramago breathes over his characters; like potter's clay, they are patiently moulded into their best shape, retaining soft marks of memory David Jays Guardian 20031218