Argues that the most powerful and effective criticism demands to be read as an expression of a distinctive sensibility, a way of being in the world, it demands, in other words, to be read as a discourse of character. This work unfolds the complex and indirect ways in which human character is expressed in criticism.
Argues that the most powerful and effective criticism demands to be read as an expression of a distinctive sensibility, a way of being in the world, it demands, in other words, to be read as a discourse of character. This work unfolds the complex and indirect ways in which human character is expressed in criticism.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Geoffrey Galt Harpham is President and Director of the National Humanities Center in North Carolina. His many books include On the Grotesque, The Ascetic Imperative inCulture and Criticism, Getting It Right: Language, Literature, and Ethics,One of Us: The Mastery of JosephConrad, Shadows of Ethics: Criticism and the JustSociety, and, most recently, Language Alone: The CriticalFetish of Modernity, also published by Routledge.
Inhaltsangabe
Chapter 1The Character of Criticism1. What Matter Who's Speaking2. Criticism as Confession3. Griffes of the GreatChapter 2Criticism as Dream: Elaine Scarry and the Dream of PainChapter ThreeCriticism as Therapy: The Hunger of Martha NussbaumChapter Four Criticism as Symptom: Slavoj Zizek and the End of Knowledge1. As Other2. And Otherness3. And OthersChapter FiveCriticism as Obsession: Said and Conrad1. Emulations2. Identifications3. Prolongations4. NegationsConclusion Criticism in a State of Terror
Chapter 1The Character of Criticism1. What Matter Who's Speaking2. Criticism as Confession3. Griffes of the GreatChapter 2Criticism as Dream: Elaine Scarry and the Dream of PainChapter ThreeCriticism as Therapy: The Hunger of Martha NussbaumChapter Four Criticism as Symptom: Slavoj Zizek and the End of Knowledge1. As Other2. And Otherness3. And OthersChapter FiveCriticism as Obsession: Said and Conrad1. Emulations2. Identifications3. Prolongations4. NegationsConclusion Criticism in a State of Terror
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