This collection explores and interrogates the complex role of the child character in the dystopian landscape of post-apocalyptic cinema, including classic, recent, and international films, approached from a variety of theoretical, methodological, and cultural perspectives.
This collection explores and interrogates the complex role of the child character in the dystopian landscape of post-apocalyptic cinema, including classic, recent, and international films, approached from a variety of theoretical, methodological, and cultural perspectives.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Edited by Debbie Olson - Contributions by Eduardo Barros-Grela; María Bobadilla Pérez; Tarah Brookfield; Jennifer Brown; Glen Donnar; Aryak Guha; Mark Heimermann; James M. Hodapp; Frank Jacob; Cassandra L. Jones; Betül Atesçi Koçak; Eric D. Miller; Debbie
Inhaltsangabe
Introduction Debbie Olson Chapter 1: Monstrous Conceptions: Reading Cronenberg's The Brood (1979) and Anton Leader's Children of the Damned (1963) Aryak Guha Chapter 2: Sustenance for the Body and the Soul: Children as a Vision of the Future of Humanity and a Reflection of Past Sins in Post-Apocalyptic Cinema Jennifer Brown Chapter 3: Perpetual Horizons: Reproductive Futurity in Post-Apocalyptic Films Mark Heimermann Chapter 4: The Child is my Warrant: Virtue Violence and The Road's Radical Humanism Joseph Wiinikka-Lydon Chapter 5: Space and Children in Post-Apocalyptic Film: The Road and Les Temps du Loup Eduardo Barros-Grela and María Bobadilla Pérez Chapter 6: When Disney Went Apocalyptic: The Symbolism of Apocalyptic Images in a Post-9/11 World Eric D. Miller Chapter 7: Children of Hope: Portrayal of Children in Post-Apocalyptic Films after 9/11 Betül Ate¿çi Koçak Chapter 8: "Until the world deserves them": Representations of children in The Day After Testament and Threads Tarah Brookfield Chapter 9: Emperor Tomato Ketchup: The Child as the Dictator of Mankind Frank Jacob Chapter 10: The Specter of the Postcolonial Child and Faux Long Takes in Cuarón's Children of Men James M. Hodapp Chapter 11: Persistently Ambivalent: Children Race Sexuality and a Post-Apocalyptic Hollywood Interracial Future Glen Donnar Chapter 12: "Not the Little Blonde Innocent You Picture": Race and "Innocent" Girlhood in The Hunger Games Fandom Cassandra L. Jones
Introduction Debbie Olson Chapter 1: Monstrous Conceptions: Reading Cronenberg's The Brood (1979) and Anton Leader's Children of the Damned (1963) Aryak Guha Chapter 2: Sustenance for the Body and the Soul: Children as a Vision of the Future of Humanity and a Reflection of Past Sins in Post-Apocalyptic Cinema Jennifer Brown Chapter 3: Perpetual Horizons: Reproductive Futurity in Post-Apocalyptic Films Mark Heimermann Chapter 4: The Child is my Warrant: Virtue Violence and The Road's Radical Humanism Joseph Wiinikka-Lydon Chapter 5: Space and Children in Post-Apocalyptic Film: The Road and Les Temps du Loup Eduardo Barros-Grela and María Bobadilla Pérez Chapter 6: When Disney Went Apocalyptic: The Symbolism of Apocalyptic Images in a Post-9/11 World Eric D. Miller Chapter 7: Children of Hope: Portrayal of Children in Post-Apocalyptic Films after 9/11 Betül Ate¿çi Koçak Chapter 8: "Until the world deserves them": Representations of children in The Day After Testament and Threads Tarah Brookfield Chapter 9: Emperor Tomato Ketchup: The Child as the Dictator of Mankind Frank Jacob Chapter 10: The Specter of the Postcolonial Child and Faux Long Takes in Cuarón's Children of Men James M. Hodapp Chapter 11: Persistently Ambivalent: Children Race Sexuality and a Post-Apocalyptic Hollywood Interracial Future Glen Donnar Chapter 12: "Not the Little Blonde Innocent You Picture": Race and "Innocent" Girlhood in The Hunger Games Fandom Cassandra L. Jones
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