This collection explores and interrogates the complex role of the child character in the dystopian landscape of post-apocalyptic cinema, including classic, recent, and international films, approached from a variety of theoretical, methodological, and cultural perspectives.
This collection explores and interrogates the complex role of the child character in the dystopian landscape of post-apocalyptic cinema, including classic, recent, and international films, approached from a variety of theoretical, methodological, and cultural perspectives.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Debbie Olson is lecturer at the University of Texas at Arlington.
Inhaltsangabe
Introduction Debbie Olson Chapter 1: Monstrous Conceptions: Reading Cronenberg's The Brood (1979) and Anton Leader's Children of the Damned (1963) Aryak Guha Chapter 2: Sustenance for the Body and the Soul: Children as a Vision of the Future of Humanity and a Reflection of Past Sins in Post-Apocalyptic Cinema Jennifer Brown Chapter 3: Perpetual Horizons: Reproductive Futurity in Post-Apocalyptic Films Mark Heimermann Chapter 4: The Child is my Warrant: Virtue Violence and The Road's Radical Humanism Joseph Wiinikka-Lydon Chapter 5: Space and Children in Post-Apocalyptic Film: The Road and Les Temps du Loup Eduardo Barros-Grela and María Bobadilla Pérez Chapter 6: When Disney Went Apocalyptic: The Symbolism of Apocalyptic Images in a Post-9/11 World Eric D. Miller Chapter 7: Children of Hope: Portrayal of Children in Post-Apocalyptic Films after 9/11 Betül Ate¿çi Koçak Chapter 8: "Until the world deserves them": Representations of children in The Day After Testament and Threads Tarah Brookfield Chapter 9: Emperor Tomato Ketchup: The Child as the Dictator of Mankind Frank Jacob Chapter 10: The Specter of the Postcolonial Child and Faux Long Takes in Cuarón's Children of Men James M. Hodapp Chapter 11: Persistently Ambivalent: Children Race Sexuality and a Post-Apocalyptic Hollywood Interracial Future Glen Donnar Chapter 12: "Not the Little Blonde Innocent You Picture": Race and "Innocent" Girlhood in The Hunger Games Fandom Cassandra L. Jones
Introduction Debbie Olson Chapter 1: Monstrous Conceptions: Reading Cronenberg's The Brood (1979) and Anton Leader's Children of the Damned (1963) Aryak Guha Chapter 2: Sustenance for the Body and the Soul: Children as a Vision of the Future of Humanity and a Reflection of Past Sins in Post-Apocalyptic Cinema Jennifer Brown Chapter 3: Perpetual Horizons: Reproductive Futurity in Post-Apocalyptic Films Mark Heimermann Chapter 4: The Child is my Warrant: Virtue Violence and The Road's Radical Humanism Joseph Wiinikka-Lydon Chapter 5: Space and Children in Post-Apocalyptic Film: The Road and Les Temps du Loup Eduardo Barros-Grela and María Bobadilla Pérez Chapter 6: When Disney Went Apocalyptic: The Symbolism of Apocalyptic Images in a Post-9/11 World Eric D. Miller Chapter 7: Children of Hope: Portrayal of Children in Post-Apocalyptic Films after 9/11 Betül Ate¿çi Koçak Chapter 8: "Until the world deserves them": Representations of children in The Day After Testament and Threads Tarah Brookfield Chapter 9: Emperor Tomato Ketchup: The Child as the Dictator of Mankind Frank Jacob Chapter 10: The Specter of the Postcolonial Child and Faux Long Takes in Cuarón's Children of Men James M. Hodapp Chapter 11: Persistently Ambivalent: Children Race Sexuality and a Post-Apocalyptic Hollywood Interracial Future Glen Donnar Chapter 12: "Not the Little Blonde Innocent You Picture": Race and "Innocent" Girlhood in The Hunger Games Fandom Cassandra L. Jones
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826
