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Lay your course south-east half east from the Campanella. If the weather is what it should be in late summer you will have a fresh breeze on the starboard quarter from ten in the morning till four or five o'clock in the afternoon. Sail straight across the wide gulf of Salerno, and when you are over give the Licosa Point a wide berth, for the water is shallow and there are reefs along shore. Moreover there is no light on Licosa Point, and many a good ship has gone to pieces there in dark winter nights when the surf is rolling in. If the wind holds you may run on to Palinuro in a long day before…mehr

Produktbeschreibung
Lay your course south-east half east from the Campanella. If the weather is what it should be in late summer you will have a fresh breeze on the starboard quarter from ten in the morning till four or five o'clock in the afternoon. Sail straight across the wide gulf of Salerno, and when you are over give the Licosa Point a wide berth, for the water is shallow and there are reefs along shore. Moreover there is no light on Licosa Point, and many a good ship has gone to pieces there in dark winter nights when the surf is rolling in. If the wind holds you may run on to Palinuro in a long day before the evening calm comes on, and the water turns oily and full of pink and green and violet streaks, and the sun settles down in the north-west. Then the big sails will hang like curtains from the long slanting yards, the slack sheets will dip down to the water, the rudder will knock softly against the stern-post as the gentle swell subsides. Then all is of a golden orange colour, then red as wine, then purple as grapes, then violet, then grey, then altogether shadowy as the stars come out - unless it chances that the moon is not yet full, and edges everything with silver on your left hand while the sunset dyes fade slowly to darkness upon your right.
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Autorenporträt
Francis Marion Crawford (1854 - 1909) was an American writer noted for his many novels, especially those set in Italy and for his classic weird and fantastic stories. H. Russell Wakefield, in an essay on ghost stories, called Crawford's "The Upper Berth" "the very best one" of such stories. Norman Douglas credits Crawford's financial success as instrumental in encouraging himself to write (though he remained critical of Crawford's habit of inserting first-person editorial comments into his fiction).