This book analyzes the Cultural Revolution through the conflict between innovation and a top-down enforcement of modernity.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Paul Clark (born 1949) is Professor of Chinese at the University of Auckland, New Zealand. He pioneered the study of Chinese films with his Chinese Cinema: Culture and Politics since 1949 (Cambridge University Press, 1987) and most recently updated this work with Reinventing China: A Generation and Its Films (2005), on Chinese cinema's New Wave since the 1980s. He received his PhD from Harvard University and was a researcher at the East-West Center in Honolulu, Hawai'i. This present book draws on his experience as an exchange student in Beijing from 1974 to 1976, the last two years of the Cultural Revolution.
Inhaltsangabe
Introduction 1. Modelling a new culture 2. Spreading the new models 3. Fixing culture on film 4. Elaborating culture: dance, music, stage, and fine arts 5. Writing wrongs: public and private fictions and resistance 6. Conclusion: forcing modernity.
- Introduction - 1. Modelling a new culture - 2. Spreading the new models - 3. Fixing culture on film - 4. Elaborating culture: dance, music, stage, and fine arts - 5. Writing wrongs: public and private fictions and resistance - 6. Conclusion: forcing modernity
Introduction 1. Modelling a new culture 2. Spreading the new models 3. Fixing culture on film 4. Elaborating culture: dance, music, stage, and fine arts 5. Writing wrongs: public and private fictions and resistance 6. Conclusion: forcing modernity.
- Introduction - 1. Modelling a new culture - 2. Spreading the new models - 3. Fixing culture on film - 4. Elaborating culture: dance, music, stage, and fine arts - 5. Writing wrongs: public and private fictions and resistance - 6. Conclusion: forcing modernity
Rezensionen
'Clark's work is an important first step and a useful reference on the diverse culture of the period.' The Journal of Asian Studies
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