David Porter
The Chinese Taste in Eighteenth-Century England
David Porter
The Chinese Taste in Eighteenth-Century England
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A major study of eighteenth-century cultural history and the history of contact and exchange between China and the West.
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A major study of eighteenth-century cultural history and the history of contact and exchange between China and the West.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 242
- Erscheinungstermin: 5. September 2011
- Englisch
- Abmessung: 250mm x 175mm x 18mm
- Gewicht: 604g
- ISBN-13: 9780521192996
- ISBN-10: 0521192994
- Artikelnr.: 31194344
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Cambridge University Press
- Seitenzahl: 242
- Erscheinungstermin: 5. September 2011
- Englisch
- Abmessung: 250mm x 175mm x 18mm
- Gewicht: 604g
- ISBN-13: 9780521192996
- ISBN-10: 0521192994
- Artikelnr.: 31194344
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Justin Porter is a successful professional in the video game industry. He works to enhance game user experience. Talented in graphics and art, he does cover design as a contribution to his father's writing. Woven Red Productions is a formatting and editing business for writers in Canada. Services include classes in writing craft. www.wovenred.ca
Introduction. Monstrous beauty
Part I. China and the Aesthetics of Exoticism: 1. Eighteenth-century fashion and the aesthetics of the Chinese taste
2. Cross-cultural aesthetics in William Chambers' Chinese Garden
Part II. What Do Women Want?: 3. Gendered Utopias in transcultural context
4. William Hogarth and the gendering of Chinese exoticism
Part III. Of Rocks, Gardens, and Goldfish: 5. The socio-aesthetics of the Scholar's Stone
6. Horace Walpole and the Gothic repudiation of Chinoiserie
Part IV. China and the Invention of Englishness: 7. Chinaware and the evolution of a modern domestic ideal
8. Thomas Percy's Sinology and the origins of English Romanticism
Bibliography
Index.
Part I. China and the Aesthetics of Exoticism: 1. Eighteenth-century fashion and the aesthetics of the Chinese taste
2. Cross-cultural aesthetics in William Chambers' Chinese Garden
Part II. What Do Women Want?: 3. Gendered Utopias in transcultural context
4. William Hogarth and the gendering of Chinese exoticism
Part III. Of Rocks, Gardens, and Goldfish: 5. The socio-aesthetics of the Scholar's Stone
6. Horace Walpole and the Gothic repudiation of Chinoiserie
Part IV. China and the Invention of Englishness: 7. Chinaware and the evolution of a modern domestic ideal
8. Thomas Percy's Sinology and the origins of English Romanticism
Bibliography
Index.
Introduction. Monstrous beauty
Part I. China and the Aesthetics of Exoticism: 1. Eighteenth-century fashion and the aesthetics of the Chinese taste
2. Cross-cultural aesthetics in William Chambers' Chinese Garden
Part II. What Do Women Want?: 3. Gendered Utopias in transcultural context
4. William Hogarth and the gendering of Chinese exoticism
Part III. Of Rocks, Gardens, and Goldfish: 5. The socio-aesthetics of the Scholar's Stone
6. Horace Walpole and the Gothic repudiation of Chinoiserie
Part IV. China and the Invention of Englishness: 7. Chinaware and the evolution of a modern domestic ideal
8. Thomas Percy's Sinology and the origins of English Romanticism
Bibliography
Index.
Part I. China and the Aesthetics of Exoticism: 1. Eighteenth-century fashion and the aesthetics of the Chinese taste
2. Cross-cultural aesthetics in William Chambers' Chinese Garden
Part II. What Do Women Want?: 3. Gendered Utopias in transcultural context
4. William Hogarth and the gendering of Chinese exoticism
Part III. Of Rocks, Gardens, and Goldfish: 5. The socio-aesthetics of the Scholar's Stone
6. Horace Walpole and the Gothic repudiation of Chinoiserie
Part IV. China and the Invention of Englishness: 7. Chinaware and the evolution of a modern domestic ideal
8. Thomas Percy's Sinology and the origins of English Romanticism
Bibliography
Index.