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This scientific methodological study is specifically, but not exclusively, addressed to conservator-restorers of cultural heritage who wish to gather, in a single manual, the terms related to chromatic reintegration described by internationally renowned authors such as C. Brandi, A. Villarquide, M.J. Martínez, A. Calvo, U. Baldini... and completed with interviews with conservator-restorers who are currently working in the field. After this first part of the compilation, a methodological proposal is added, whose main objective is the classification and definition of terms related to chromatic…mehr

Produktbeschreibung
This scientific methodological study is specifically, but not exclusively, addressed to conservator-restorers of cultural heritage who wish to gather, in a single manual, the terms related to chromatic reintegration described by internationally renowned authors such as C. Brandi, A. Villarquide, M.J. Martínez, A. Calvo, U. Baldini... and completed with interviews with conservator-restorers who are currently working in the field. After this first part of the compilation, a methodological proposal is added, whose main objective is the classification and definition of terms related to chromatic reintegration, based on what has been collected by the above-mentioned authors and the interviews carried out. A starting point towards the international unification of the nomenclature of our beloved chromatic reintegration.
Autorenporträt
Raquel Ares Bardasco (1995) Formação Superior em Conservação e Restauro do Património Cultural (Especialidade: pintura) pela EASCRBBCC de León (Espanha), completando a sua formação com estágio prático em: Centre de restauració de béns mobles de Catalunya, Barcelona (Espanha); e Heritage Malta, National Museum of Archaeology, Valletta (Malta).