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NEW PRINT WITH PROFESSIONAL TYPE-SET IN CONTRAST TO SCANNED PRINTS OFFERED BY OTHERS The Chronicles Of Count Antonio This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our…mehr

Produktbeschreibung
NEW PRINT WITH PROFESSIONAL TYPE-SET IN CONTRAST TO SCANNED PRINTS OFFERED BY OTHERS The Chronicles Of Count Antonio This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!
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Autorenporträt
Sir Anthony Hope Hawkins, as Anthony Hope (9 February 1863 - 8 July 1933), was a British novelist and playwright. He was a prolific writer, particularly of adventure stories, yet he is best known for only two works: The Prisoner of Zenda (1894) and its sequel Rupert of Hentzau (1898). These writings, considered "minor classics" of English literature, are set in the contemporaneous fictional kingdom of Ruritania and gave rise to the Ruritanian romance genre, which includes books set in fictional European places comparable to the novels. Zenda has inspired numerous adaptations, most notably the 1937 Hollywood film of the same name and the 1952 remake. Hope attended St John's School, Leatherhead, Marlborough College, and Balliol College, Oxford. In an intellectually distinguished career at Oxford, he earned first-class honours in Classical Moderations (Literis Graecis et Latinis) in 1882 and Literae Humaniores ('Greats') in 1885. Hope studied law and became a barrister in 1887, when the Middle Temple called him to the Bar. He studied under the future Liberal Prime Minister H. H. Asquith, who saw him as a potential barrister but was disillusioned by his decision to pursue a career in writing.