With new chapters covering Zero Dark Thirty, Homeland, and Argo, this critically acclaimed book interrogates the nature and extent of the CIAâ s influence on film and television.
With new chapters covering Zero Dark Thirty, Homeland, and Argo, this critically acclaimed book interrogates the nature and extent of the CIAâ s influence on film and television.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Tricia Jenkins is an associate professor in the Film, Television, and Digital Media Department at Texas Christian University. She has published several articles on the CIA in Hollywood and on the spy genre more broadly.
Inhaltsangabe
* Acknowledgments * Introduction * Chapter One. Rogues, Assassins, and Buffoons: Representations of the CIA in Film and Television * Chapter Two. Opening the Doors: Why and How the CIA Works with Hollywood * Chapter Three. Necessary and Competent: The CIA in The Agency and In the Company of Spies * Chapter Four. The Chase Brandon Years * Chapter Five. The Legal and Ethical Implications of the CIA in Hollywood * Chapter Six. The Last People We Want in Hollywood: The Retired CIA Officer and the Hollywood Docudrama * Chapter Seven. Argo’s Tony Mendez: The First Retiree the CIA Wants in Hollywood * Chapter Eight. Relaxing the Rules: Zero Dark Thirty, Homeland, and the Move toward Nuance * Conclusion * Notes * Bibliography * Index
* Acknowledgments * Introduction * Chapter One. Rogues, Assassins, and Buffoons: Representations of the CIA in Film and Television * Chapter Two. Opening the Doors: Why and How the CIA Works with Hollywood * Chapter Three. Necessary and Competent: The CIA in The Agency and In the Company of Spies * Chapter Four. The Chase Brandon Years * Chapter Five. The Legal and Ethical Implications of the CIA in Hollywood * Chapter Six. The Last People We Want in Hollywood: The Retired CIA Officer and the Hollywood Docudrama * Chapter Seven. Argo’s Tony Mendez: The First Retiree the CIA Wants in Hollywood * Chapter Eight. Relaxing the Rules: Zero Dark Thirty, Homeland, and the Move toward Nuance * Conclusion * Notes * Bibliography * Index
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