The first English-language book dedicated to an analysis of Naruse Mikio, one of Japan's most prolific directors, whose films provide unique insight into the representation of female subjectivity and modernity in Japan.
The first English-language book dedicated to an analysis of Naruse Mikio, one of Japan's most prolific directors, whose films provide unique insight into the representation of female subjectivity and modernity in Japan.
Acknowledgments ix Preface xi Introduction: The Auteur as Salaryman 1 1. The Silent Films: Women in the City, 1930-1934 39 2. Naruse as P.C.L.: Toward a Japanese Classical Cinema, 1935-1937 81 3. Not a Monumental Cinema: Wartime Vernacular, 1938-1945 131 4. The Occupation Years: Cinema, Democracy, and Japanese Kitsch, 1945-1952 167 5. The Japanese Woman's Film of the 1950s, 1952-1958 226 6. Naruse in the 1960s: Stranded in Modernity, 1958-1967 315 Conclusion 398 Notes 405 Filmography 431 Bibliography 435 Index 447
Acknowledgments ix Preface xi Introduction: The Auteur as Salaryman 1 1. The Silent Films: Women in the City, 1930-1934 39 2. Naruse as P.C.L.: Toward a Japanese Classical Cinema, 1935-1937 81 3. Not a Monumental Cinema: Wartime Vernacular, 1938-1945 131 4. The Occupation Years: Cinema, Democracy, and Japanese Kitsch, 1945-1952 167 5. The Japanese Woman's Film of the 1950s, 1952-1958 226 6. Naruse in the 1960s: Stranded in Modernity, 1958-1967 315 Conclusion 398 Notes 405 Filmography 431 Bibliography 435 Index 447
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