The essays in this groundbreaking collection examine how celebrated Cambodian director Rithy Panh counters the abstraction of mass violence with a cinema anchored in the body, the physical trace, the direct testimony, and the living landscape. They explore his unique aesthetic sensibility, examining the dynamic and sensuous images through which he suggests that “everything has a soul.”
The essays in this groundbreaking collection examine how celebrated Cambodian director Rithy Panh counters the abstraction of mass violence with a cinema anchored in the body, the physical trace, the direct testimony, and the living landscape. They explore his unique aesthetic sensibility, examining the dynamic and sensuous images through which he suggests that “everything has a soul.”Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
LESLIE BARNES is senior lecturer of French studies at the Australian National University in Canberra. She is the author of Vietnam and the Colonial Condition of French Literature. Her current project studies literary and cinematic narratives that engage with questions of sex work, mobility, and human rights in Southeast Asia. JOSEPH MAI is an associate professor of French with an affiliation in world cinema at Clemson University in South Carolina. He is the author of Jean-Pierre and Luc Dardenne and Robert Guédiguian. His scholarship examines intersections between ethics, aesthetics, cinema, and literature.
Inhaltsangabe
Chronology Introduction: Rithy Panh and the Cinematic Image Leslie Barnes and Joseph Mai Part I: Aftermath: A Cinema of Post-War Survival 1. The “Mad Mother” in Rithy Panh’s Films Boreth Ly 2. Resilience in the Ruins: Artistic Practice in Rithy Panh’s The Burnt Theater Joseph Mai 3. The Wounds of Memory: Poetics, Pain, and Possibilities in Rithy Panh’s Exile and Que la barque se brise Khatharya Um Part II: From Colonial to Global Cambodia 4. Rithy Panh’s The Sea Wall: Reinventing Duras in Cambodia Jack A. Yeager and Rachel Harrison 5. Rithy Panh as Chasseur d’images Jennifer Cazenave 6. Aerial Aftermaths and Reckonings from Below: Reseeing Rithy Panh’s Shiiku, the Catch Cathy J. Schlund-Vials 7. Cambodia's "Wandering Souls": Migrant Labor and the Promise of Connection Leslie Barnes Part III: The Question of Justice 8. Archiving the Perpetrator Stéphanie Benzaquen-Gautier and John Kleinen 9. Creating Duch: The Projects of Duch, François Bizot, and Rithy Panh Donald Reid 10. Rithy Panh, Jean Améry, and the Paradigm of Moral Resentment Raya Morag Part IV: Memory, Voice, and Cinematic Practice 11. Looking Back and Projecting Forward from Site 2 Lindsay French 12. Bophana’s Image and Narrative: Tragedy, Accusatory Gaze, and Hidden Treasure Vicente Sánchez-Biosca 13. Memory Translation: Rithy Panh’s Provocations to the Primacy and Virtues of the Documentary Sound/Image Index David LaRocca 14. Rithy Panh: Storyteller of the Extreme Soko Phay Acknowledgments Bibliography Notes on Contributors Index
Chronology Introduction: Rithy Panh and the Cinematic Image Leslie Barnes and Joseph Mai Part I: Aftermath: A Cinema of Post-War Survival 1. The “Mad Mother” in Rithy Panh’s Films Boreth Ly 2. Resilience in the Ruins: Artistic Practice in Rithy Panh’s The Burnt Theater Joseph Mai 3. The Wounds of Memory: Poetics, Pain, and Possibilities in Rithy Panh’s Exile and Que la barque se brise Khatharya Um Part II: From Colonial to Global Cambodia 4. Rithy Panh’s The Sea Wall: Reinventing Duras in Cambodia Jack A. Yeager and Rachel Harrison 5. Rithy Panh as Chasseur d’images Jennifer Cazenave 6. Aerial Aftermaths and Reckonings from Below: Reseeing Rithy Panh’s Shiiku, the Catch Cathy J. Schlund-Vials 7. Cambodia's "Wandering Souls": Migrant Labor and the Promise of Connection Leslie Barnes Part III: The Question of Justice 8. Archiving the Perpetrator Stéphanie Benzaquen-Gautier and John Kleinen 9. Creating Duch: The Projects of Duch, François Bizot, and Rithy Panh Donald Reid 10. Rithy Panh, Jean Améry, and the Paradigm of Moral Resentment Raya Morag Part IV: Memory, Voice, and Cinematic Practice 11. Looking Back and Projecting Forward from Site 2 Lindsay French 12. Bophana’s Image and Narrative: Tragedy, Accusatory Gaze, and Hidden Treasure Vicente Sánchez-Biosca 13. Memory Translation: Rithy Panh’s Provocations to the Primacy and Virtues of the Documentary Sound/Image Index David LaRocca 14. Rithy Panh: Storyteller of the Extreme Soko Phay Acknowledgments Bibliography Notes on Contributors Index
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