This monograph traces the history of Kazakh filmmaking from its conception as a Soviet cultural construction project to its peak as fully-fledged national cinema to its eventual re-imagining as an art-house phenomenon.
This monograph traces the history of Kazakh filmmaking from its conception as a Soviet cultural construction project to its peak as fully-fledged national cinema to its eventual re-imagining as an art-house phenomenon.
Produktdetails
Produktdetails
Contemporary Central Asia: Societies, Politics, and Cultures
Peter Rollberg is professor of Slavic Languages, film studies, and international affairs at George Washington University.
Inhaltsangabe
Chapter 1: The First and Second Birth of Kazakhstani Cinema Chapter 2: Heroic Interlude in Alma-Ata Chapter 3: The Third Birth Chapter 4: The Mid-1950s: A Cautious Emancipation Chapter 5: En Route to Complexity I: Capturing the Present Chapter 6: En Route to Complexity II: Capturing the Past Chapter 7: The Searchings of Shaken Aimanov Chapter 8: Hits and Anti-Hits Chapter 9: The New Status Quo Chapter 10: State Cinema and Its Subversion Chapter 11: Crisis and Reconstruction Chapter 12: From Perestroika to Katastroika
Chapter 1: The First and Second Birth of Kazakhstani Cinema Chapter 2: Heroic Interlude in Alma-Ata Chapter 3: The Third Birth Chapter 4: The Mid-1950s: A Cautious Emancipation Chapter 5: En Route to Complexity I: Capturing the Present Chapter 6: En Route to Complexity II: Capturing the Past Chapter 7: The Searchings of Shaken Aimanov Chapter 8: Hits and Anti-Hits Chapter 9: The New Status Quo Chapter 10: State Cinema and Its Subversion Chapter 11: Crisis and Reconstruction Chapter 12: From Perestroika to Katastroika
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