Yakov Protazanov was the most prolific Russian director of the silent era whose works enjoyed consistent popularity with audiences as he adapted to the Russian Revolution and, later, the transition to sound. This first career-length study in English argues that he pursued a unique artistic vision that reflected his ambivalent position within Soviet culture of the revolutionary era.
Yakov Protazanov was the most prolific Russian director of the silent era whose works enjoyed consistent popularity with audiences as he adapted to the Russian Revolution and, later, the transition to sound. This first career-length study in English argues that he pursued a unique artistic vision that reflected his ambivalent position within Soviet culture of the revolutionary era.
F. Booth Wilson is a lecturer in the Department of Film & Media at the University of California, Berkeley. He has published extensively on film history, theory, and aesthetics in a variety of scholarly journals.
Inhaltsangabe
Contents Acknowledgements List of Abbreviations Note on Transliteration Introduction: A Proto- and Protean Filmmaker 1 A Mobile Career 2 The Politics of Literary Adaptation 3 Revolutionary(-era) Traditionalism 4 Abroad at Home 5 Making Comedy Serious 6 The Didactic Voice from Tolstoy to Lenin Conclusion Selected Filmography Notes Bibliography Index
Contents Acknowledgements List of Abbreviations Note on Transliteration Introduction: A Proto- and Protean Filmmaker 1 A Mobile Career 2 The Politics of Literary Adaptation 3 Revolutionary(-era) Traditionalism 4 Abroad at Home 5 Making Comedy Serious 6 The Didactic Voice from Tolstoy to Lenin Conclusion Selected Filmography Notes Bibliography Index
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