The Cinematic Eighteenth Century
History, Culture, and Adaptation
Herausgeber: Swaminathan, Srividhya; Thomas, Steven W
The Cinematic Eighteenth Century
History, Culture, and Adaptation
Herausgeber: Swaminathan, Srividhya; Thomas, Steven W
- Broschiertes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
This collection explores how film and television depict the complex and diverse milieu of the eighteenth century as a literary, historical, and cultural space.
Andere Kunden interessierten sich auch für
- The Rise of Transtexts59,99 €
- Inger-Lise Kalviknes BoreScreen Comedy and Online Audiences58,99 €
- Rob GallagherVideogames, Identity and Digital Subjectivity59,99 €
- Jacqueline Levitin / Judith Plessis / Valerie Raoul (eds.)Women Filmmakers37,99 €
- Off Screen65,99 €
- Body Images in the Post-Cinematic Scenario: The Digitization of Bodies30,99 €
- Julian HanichCinematic Emotion in Horror Films and Thrillers68,99 €
-
-
-
This collection explores how film and television depict the complex and diverse milieu of the eighteenth century as a literary, historical, and cultural space.
Produktdetails
- Produktdetails
- Verlag: Jenny Stanford Publishing
- Seitenzahl: 196
- Erscheinungstermin: 10. Dezember 2019
- Englisch
- Abmessung: 231mm x 155mm x 18mm
- Gewicht: 340g
- ISBN-13: 9780367887377
- ISBN-10: 0367887371
- Artikelnr.: 58482427
- Verlag: Jenny Stanford Publishing
- Seitenzahl: 196
- Erscheinungstermin: 10. Dezember 2019
- Englisch
- Abmessung: 231mm x 155mm x 18mm
- Gewicht: 340g
- ISBN-13: 9780367887377
- ISBN-10: 0367887371
- Artikelnr.: 58482427
Srividhya Swaminathan is Professor of English at LIU Brooklyn, USA. Her primary field of research is the rhetoric of eighteenth-century slavery studies and social movements. Her monograph, Debating the Slave Trade (Ashgate 2009), and co-edited collection, Invoking Slavery in the Eighteenth-Century British Imagination (Ashgate 2013), engage with slavery in a transatlantic context. Steven W. Thomas is Associate Professor of English at Wagner College, USA, where he teaches American literature, theory, and film studies. He has published several scholarly essays about the transatlantic eighteenth century and in 2016, he was a Fulbright Scholar in the graduate film program at Addis Ababa University in Ethiopia.
Introduction: Representing and Repositioning the Eighteenth Century on
Screen
1. Fashionable Failures: Ghosting Female Desires on the Big Screen
(Ula Lukszo Klein)
2. Portrait of the Queen as a Celebrity: Marie Antoinette on Screen, a
disappearing Act (1934-2012)
(Dorothée Polanz)
3. The King on the Screen
(Elizabeth Kraft)
4. "I have you in my eye, sir": The Spectacle of Kingship in The Madness of
King George
(Jennifer Preston Wilson)
5. Blackadder: Satirizing the Century of Satire
(Sarah B. Stein and Robert Vork)
6. Disney's National Treasure, the Declaration of Independence, and the
Erasure of Print from the American Revolution
(Colin Ramsey)
7. How to Be a Woman in the Highlands: A Feminist Portrayal of Scotland in
Outlander
(Courtney A. Hoffman)
8. The King of Mars: The Martian's Scientific Empire and Robinson Crusoe
(Kyle Pivetti)
9. The New Cinematic Piracy: Crossbones and Black Sails
(Srividhya Swaminathan)
10. Sex, Sisterhood, and the Cinema: Sense and Sensibility(s) in
Conversation
(Jodi L. Wyett)
11. Cinematic Slavery and the Romance of Belle
(Steven W. Thomas)
Screen
1. Fashionable Failures: Ghosting Female Desires on the Big Screen
(Ula Lukszo Klein)
2. Portrait of the Queen as a Celebrity: Marie Antoinette on Screen, a
disappearing Act (1934-2012)
(Dorothée Polanz)
3. The King on the Screen
(Elizabeth Kraft)
4. "I have you in my eye, sir": The Spectacle of Kingship in The Madness of
King George
(Jennifer Preston Wilson)
5. Blackadder: Satirizing the Century of Satire
(Sarah B. Stein and Robert Vork)
6. Disney's National Treasure, the Declaration of Independence, and the
Erasure of Print from the American Revolution
(Colin Ramsey)
7. How to Be a Woman in the Highlands: A Feminist Portrayal of Scotland in
Outlander
(Courtney A. Hoffman)
8. The King of Mars: The Martian's Scientific Empire and Robinson Crusoe
(Kyle Pivetti)
9. The New Cinematic Piracy: Crossbones and Black Sails
(Srividhya Swaminathan)
10. Sex, Sisterhood, and the Cinema: Sense and Sensibility(s) in
Conversation
(Jodi L. Wyett)
11. Cinematic Slavery and the Romance of Belle
(Steven W. Thomas)
Introduction: Representing and Repositioning the Eighteenth Century on
Screen
1. Fashionable Failures: Ghosting Female Desires on the Big Screen
(Ula Lukszo Klein)
2. Portrait of the Queen as a Celebrity: Marie Antoinette on Screen, a
disappearing Act (1934-2012)
(Dorothée Polanz)
3. The King on the Screen
(Elizabeth Kraft)
4. "I have you in my eye, sir": The Spectacle of Kingship in The Madness of
King George
(Jennifer Preston Wilson)
5. Blackadder: Satirizing the Century of Satire
(Sarah B. Stein and Robert Vork)
6. Disney's National Treasure, the Declaration of Independence, and the
Erasure of Print from the American Revolution
(Colin Ramsey)
7. How to Be a Woman in the Highlands: A Feminist Portrayal of Scotland in
Outlander
(Courtney A. Hoffman)
8. The King of Mars: The Martian's Scientific Empire and Robinson Crusoe
(Kyle Pivetti)
9. The New Cinematic Piracy: Crossbones and Black Sails
(Srividhya Swaminathan)
10. Sex, Sisterhood, and the Cinema: Sense and Sensibility(s) in
Conversation
(Jodi L. Wyett)
11. Cinematic Slavery and the Romance of Belle
(Steven W. Thomas)
Screen
1. Fashionable Failures: Ghosting Female Desires on the Big Screen
(Ula Lukszo Klein)
2. Portrait of the Queen as a Celebrity: Marie Antoinette on Screen, a
disappearing Act (1934-2012)
(Dorothée Polanz)
3. The King on the Screen
(Elizabeth Kraft)
4. "I have you in my eye, sir": The Spectacle of Kingship in The Madness of
King George
(Jennifer Preston Wilson)
5. Blackadder: Satirizing the Century of Satire
(Sarah B. Stein and Robert Vork)
6. Disney's National Treasure, the Declaration of Independence, and the
Erasure of Print from the American Revolution
(Colin Ramsey)
7. How to Be a Woman in the Highlands: A Feminist Portrayal of Scotland in
Outlander
(Courtney A. Hoffman)
8. The King of Mars: The Martian's Scientific Empire and Robinson Crusoe
(Kyle Pivetti)
9. The New Cinematic Piracy: Crossbones and Black Sails
(Srividhya Swaminathan)
10. Sex, Sisterhood, and the Cinema: Sense and Sensibility(s) in
Conversation
(Jodi L. Wyett)
11. Cinematic Slavery and the Romance of Belle
(Steven W. Thomas)