India produces more films than any other country and these works are consumed by non-Western cultures in Africa, Eastern Europe, the Middle East, and by Indian communities across the world. This text focuses on how such a dominant media configures the ""nation"" in post-Independence Hindi cinema.
India produces more films than any other country and these works are consumed by non-Western cultures in Africa, Eastern Europe, the Middle East, and by Indian communities across the world. This text focuses on how such a dominant media configures the ""nation"" in post-Independence Hindi cinema.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
JYOTIKA VIRDI teaches communication/film/media studies at the University of Windsor, Canada.
Inhaltsangabe
Nation and its discontents. The nation, in theory The creative ImagiNation Theorizing national cinema Nation and its embodiments Pleasure and terror of the feminine The idealized woman. Fixing the figure of the woman Woman, community, nation The "social butterfly." Heroes and villains: narrating the nation. Masculinity Heroes and villains Sons and mothers Heroines, romance, and social history. Reading resistance Contesting the Laxman Rekha Film/star text: reading social change The sexed body. Filmic love Victims to vigilantes Rape and the rape threat The sexed body and specular pleasure Double-speak about the body Unsettled scores Re-reading romance. Transgressions of "true love" Reinstating "family values" Romantic love and the culture of consumption The end of the Nehruvian Era
Nation and its discontents. The nation, in theory The creative ImagiNation Theorizing national cinema Nation and its embodiments Pleasure and terror of the feminine The idealized woman. Fixing the figure of the woman Woman, community, nation The "social butterfly." Heroes and villains: narrating the nation. Masculinity Heroes and villains Sons and mothers Heroines, romance, and social history. Reading resistance Contesting the Laxman Rekha Film/star text: reading social change The sexed body. Filmic love Victims to vigilantes Rape and the rape threat The sexed body and specular pleasure Double-speak about the body Unsettled scores Re-reading romance. Transgressions of "true love" Reinstating "family values" Romantic love and the culture of consumption The end of the Nehruvian Era
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