Cultural study of how genetic engineering & genomics have influenced cultural conceptions of the human body as evidenced in contemporary films.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Jackie Stacey is Professor of Media and Cultural Studies at the University of Manchester. She is the author of Star Gazing: Female Spectators and Hollywood Cinema and Teratologies: A Cultural Study of Cancer; co-author of Global Nature, Global Culture; and co-editor of several books, including Queer Screen: A Screen Reader, Thinking through Skin, and Romance Revisited . Stacey is an editor of the journals Screen and Feminist Theory.
Inhaltsangabe
Preface ix Acknowledgments xv Introduction: Technologies of Imitation and the Genetic Imaginary 1 Part 1. Sameness Ad Infinitum 1. The Hell of the Same: Cloning, Baudrillard, and the Queering of Biology 19 2. She Is Not Herself: The Deviant Relations of Alien: Resurrection 36 3. Screening the Gene: Femininity as Code in Species 66 Part 2. Imitations of Life 4. Cloning as Biomimicry 95 5. Genetic Impersonation and the Improvisation Kinship: Gattaca's Queer Visions 113 6. The Uncanny Architectures of Intimacy in Code 46 137 Part 3. Stairway to Heaven 7. Cut-and-Paste Bodies: The Shock of Genetic Simulation 177 8. Leading Across the In-Between: Transductive Cinema in Teknolust 195 9. Enacting the Gene: The Animation of Science in Genetic Admiration 225 Afterword: Double Take, Déjà Vu 257 Notes 273 Bibliography 287 Filmography 303 Index 307
Preface ix Acknowledgments xv Introduction: Technologies of Imitation and the Genetic Imaginary 1 Part 1. Sameness Ad Infinitum 1. The Hell of the Same: Cloning, Baudrillard, and the Queering of Biology 19 2. She Is Not Herself: The Deviant Relations of Alien: Resurrection 36 3. Screening the Gene: Femininity as Code in Species 66 Part 2. Imitations of Life 4. Cloning as Biomimicry 95 5. Genetic Impersonation and the Improvisation Kinship: Gattaca's Queer Visions 113 6. The Uncanny Architectures of Intimacy in Code 46 137 Part 3. Stairway to Heaven 7. Cut-and-Paste Bodies: The Shock of Genetic Simulation 177 8. Leading Across the In-Between: Transductive Cinema in Teknolust 195 9. Enacting the Gene: The Animation of Science in Genetic Admiration 225 Afterword: Double Take, Déjà Vu 257 Notes 273 Bibliography 287 Filmography 303 Index 307
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