The first volume of its kind, The Classical Music Industry is a significant point of reference and piece of critical scholarship, written for the benefit of practitioners, music-lovers, students and scholars alike offering a balanced and rigorous account of the manifold ways in which the industry operates.
The first volume of its kind, The Classical Music Industry is a significant point of reference and piece of critical scholarship, written for the benefit of practitioners, music-lovers, students and scholars alike offering a balanced and rigorous account of the manifold ways in which the industry operates.
Christopher Dromey is Associate Professor in Music at Middlesex University, UK. . Julia Haferkorn is Senior Lecturer in Music Business and Arts Management at Middlesex University, UK and Director of production company, Third Ear Music.
Inhaltsangabe
Introduction Chris Dromey and Julia Haferkorn I. Principles and Practices 1. Classical Music, Copyright, and Collecting Societies? Brian Inglis 2. "Growing a Forest": The Changing Business of Classical Music Publishing Sarah Osborn 3. Evolving Business Models in the Classical Record Industry Marius Carboni 4. Managing Artists in the Classical Sector: Definitions and Challenges Atholl Swainston-Harrison 5. On Classical Music Competitions Glen Kwok and Christopher Dromey II. Identity and Diversity 6. Uncertain Capital: Class, Gender, and the "Imagined Futures" of Young Classical Musicians Anna Bull 7. Inequalities in the Classical Music Industry: The Role of Subjectivity in Constructions of the "Ideal" Classical Musician Christina Scharff 8. Lifespan Perspective Theory and (Classical) Musicians' Careers Dawn Bennett and Sophie Hennekam 9. Reimagining Classical Music Performing Organisations for the Digital Age Brian Kavanagh III. Challenges and Debates 10. Is Classical Music a Living or Heritage Art Form? Susanna Eastburn 11. Dancing to Another Tune: Classical Music in Nightclubs and Other Non-traditional Settings Julia Haferkorn 12. Curating Classical Music: Towards a Synergetic Concert Dramaturgy Masa Spaan 13. Talking about Classical Music: Radio as Public Musicology Chris Dromey Appendix 1 Keyword Survey of Verbal and Online Commentary, BBC Radio 3 and Classic FM, 1 March 2017. Bibliography Index
Introduction Chris Dromey and Julia Haferkorn I. Principles and Practices 1. Classical Music, Copyright, and Collecting Societies? Brian Inglis 2. "Growing a Forest": The Changing Business of Classical Music Publishing Sarah Osborn 3. Evolving Business Models in the Classical Record Industry Marius Carboni 4. Managing Artists in the Classical Sector: Definitions and Challenges Atholl Swainston-Harrison 5. On Classical Music Competitions Glen Kwok and Christopher Dromey II. Identity and Diversity 6. Uncertain Capital: Class, Gender, and the "Imagined Futures" of Young Classical Musicians Anna Bull 7. Inequalities in the Classical Music Industry: The Role of Subjectivity in Constructions of the "Ideal" Classical Musician Christina Scharff 8. Lifespan Perspective Theory and (Classical) Musicians' Careers Dawn Bennett and Sophie Hennekam 9. Reimagining Classical Music Performing Organisations for the Digital Age Brian Kavanagh III. Challenges and Debates 10. Is Classical Music a Living or Heritage Art Form? Susanna Eastburn 11. Dancing to Another Tune: Classical Music in Nightclubs and Other Non-traditional Settings Julia Haferkorn 12. Curating Classical Music: Towards a Synergetic Concert Dramaturgy Masa Spaan 13. Talking about Classical Music: Radio as Public Musicology Chris Dromey Appendix 1 Keyword Survey of Verbal and Online Commentary, BBC Radio 3 and Classic FM, 1 March 2017. Bibliography Index
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