The Clearing - Hiton, Lisa
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Arriving to the pastoral happens repeatedly and full of worry in The Clearing. For the pastoral stands for the fields of the Holocaust, of the imagination, of the Midwest, of the body, and even the empty field of the blank page. In the absence of knowing how to properly bury our inheritances of the 20th century, Hiton turns to fictive spectacle-- to narrative invention, sensory desires, and malleable landscapes-- as a last gesture toward hope. As the intellectual ambitions and fears ramp up, the urgency of the body (and the refusal to look at it) does too.

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Produktbeschreibung
Arriving to the pastoral happens repeatedly and full of worry in The Clearing. For the pastoral stands for the fields of the Holocaust, of the imagination, of the Midwest, of the body, and even the empty field of the blank page. In the absence of knowing how to properly bury our inheritances of the 20th century, Hiton turns to fictive spectacle-- to narrative invention, sensory desires, and malleable landscapes-- as a last gesture toward hope. As the intellectual ambitions and fears ramp up, the urgency of the body (and the refusal to look at it) does too.
Autorenporträt
Lisa Hiton's first book of poems, Afterfeast, was selected by Mary Jo Bang for the Dorset Prize and was published by Tupelo Press. She holds an MFA in Poetry from Boston University and an MEd in Arts in Education from Harvard University. Her poems have been published or are forthcoming in The Common, Lambda Literary, The Paris-American, Denver Quarterly, Hayden's Ferry Review, and New South among others. She has received the AWP Kurt Brown Prize, the Esther B Kahn Scholarship from 24Pearl Street at the Fine Arts Work Center, and multiple nominations for the Pushcart Prize. Lisa is the author of the chapbook Variation on Testimony, the senior poetry editor of The Adroit Journal, and a founder and co-director of Queer Poem-a-Day at the Deerfield Public Library.