The Club of Queer Trades (Esprios Classics) - Chesterton, G. K.
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The Club of Queer Trades is a collection of stories by G. K. Chesterton first published in 1905. Each story in the collection is centered on a person who is making his living by some novel and extraordinary means (a "queer trade", using the word "queer" in the sense of "strange"). To gain admittance one must have invented a unique means of earning a living and the subsequent trade being the main source of income. The framing narrative by "Cherub" Swinburne describes his quest for The Club of Queer Trades with his friend Basil Grant, a retired judge, and Rupert Grant, a private detective who is…mehr

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Produktbeschreibung
The Club of Queer Trades is a collection of stories by G. K. Chesterton first published in 1905. Each story in the collection is centered on a person who is making his living by some novel and extraordinary means (a "queer trade", using the word "queer" in the sense of "strange"). To gain admittance one must have invented a unique means of earning a living and the subsequent trade being the main source of income. The framing narrative by "Cherub" Swinburne describes his quest for The Club of Queer Trades with his friend Basil Grant, a retired judge, and Rupert Grant, a private detective who is Basil's younger brother. Each of the stories describes their encounter with one of the trades.
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Autorenporträt
Chesterton was born in Campden Hill, Kensington, London, as the son of Edward Chesterton (1841-1922), an estate agent, and Marie Louise, nee Grosjean, of Swiss French descent. Chesterton was baptized into the Church of England when he was one month old, despite his family's inconsistent Unitarian practice. According to his book, as a young man, he was captivated by the occult and, with his brother Cecil, experimented with Ouija boards. He attended St Paul's School before moving on to the Slade School of Art to study illustration. The Slade is a department of University College London where Chesterton also took literary studies, but he did not earn a degree in either field. Chesterton developed the fictional priest-detective Father Brown and wrote on apologetics. Even those who disagree with him acknowledge the broad popularity of works like Orthodoxy and The Everlasting Man. Chesterton frequently referred to himself as an orthodox Christian, and he gradually identified this viewpoint with Catholicism before switching from high church Anglicanism. Biographers see him as a successor to Victorian authors like Matthew Arnold, Thomas Carlyle, John Henry Newman, and John Ruskin.