"During his sojourn, the Maestro kept a notebook in which he recorded everything that caught his eye, from the natives' peculiar manners and dialect to the fast-changing scenery on his walks along picturesque trails. These notes and impressions gave way to poems, illustrations, and storylines, all merging into a seemingly experimental text encompassing graphic art, fiction, and autobiography. The Coazze Notebook, as it came to be known, is a compendium of literary criticism, illuminating and emotionally charged personal reflections, vernacular expressions, and sharply observed geographical…mehr
"During his sojourn, the Maestro kept a notebook in which he recorded everything that caught his eye, from the natives' peculiar manners and dialect to the fast-changing scenery on his walks along picturesque trails. These notes and impressions gave way to poems, illustrations, and storylines, all merging into a seemingly experimental text encompassing graphic art, fiction, and autobiography. The Coazze Notebook, as it came to be known, is a compendium of literary criticism, illuminating and emotionally charged personal reflections, vernacular expressions, and sharply observed geographical descriptions. The notes are fragmentary, and occasionally embellished, but they shed light on Pirandello's mode of thought and, in particular, how the ideas he gathered from real life were incorporated into his writing." -From the Introduction by Lisa Sarti
LUIGI PIRANDELLO (Girgenti 1867 - Rome 1936) was arguably the most influential playwright in the 20th century, and his writings attract even more scholarly attention today. His plays challenge incessantly our perception of reality, exposing the grotesque elements that make up all manner of social behaviour. He has been criticised for paying lip service to Mussolini's regime, but the prevailing scholarship today recognizes the real purpose behind the playwright's political stance: Pirandello's interest, first and foremost, was to promote his theatre, and he did not hesitate to "act" in order to gain the necessary government backing. Significantly, Alice Rohe regarded him as the harbinger of a new Italian Renaissance. Pirandello was awarded the Nobel Prize for Literature in 1934.
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