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Weird tales from a master of drama and the written word Oscar Wilde genius as a playwright, author and poet is well known and highly regarded. The quality of his work has ensured that it has often been adapted for the cinema screen and the first chilling novel in this special Leonaur collection of Wilde's immaculate forays into the bizarre, haunting and peculiar is no exception. 'The Picture of Dorian Gray' tells of a dissolute young man who is cursed as his physical self is separated from his soul with horrific consequences, creating an essential and timeless story of horror. Those who wish…mehr

Produktbeschreibung
Weird tales from a master of drama and the written word Oscar Wilde genius as a playwright, author and poet is well known and highly regarded. The quality of his work has ensured that it has often been adapted for the cinema screen and the first chilling novel in this special Leonaur collection of Wilde's immaculate forays into the bizarre, haunting and peculiar is no exception. 'The Picture of Dorian Gray' tells of a dissolute young man who is cursed as his physical self is separated from his soul with horrific consequences, creating an essential and timeless story of horror. Those who wish to enhance their enjoyment of that story will be pleased to learn that several other classic tales of earth bound spirits, hidden guilt, murder and psychic powers populate this volumes pages-each one beautifully and satisfyingly crafted by this most accomplished of writers. This collection is completed by a sequence of weird shorter pieces often described as 'fairy stories.' These tales of a decidedly adult nature are fabulous excursions into the fantastical which combine to make this book the ideal way for readers to enjoy all of Wilde's strange fiction in one collectable volume. Available in soft cover and also as a quality, cloth bound hardback.
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Autorenporträt
In contrast to much theatre of the time, The Importance of Being Earnest's light plot does not tackle serious social and political issues, something of which contemporary reviewers were wary. Though unsure of Wilde's seriousness as a dramatist, they recognized the play's cleverness, humour and popularity with audiences. Bernard Shaw, for example, reviewed the play in the Saturday Review, arguing that comedy should touch as well as amuse, "I go to the theatre to be moved to laughter." Later in a letter he said, the play, though "extremely funny," was Wilde's "first really heartless one." In The World, William Archer wrote that he had enjoyed watching the play but found it to be empty of meaning, "What can a poor critic do with a play which raises no principle, whether of art or morals, creates its own canons and conventions, and is nothing but an absolutely wilful expression of an irrepressibly witty personality?"