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First published in 1891, John Sherman and Dhoya was Yeats's third separate publication.  The stories were revised  and reprinted in the 1908 Collected Works in Verse and Prose but not published again in Yeats's lifetime. John Sherman, Yeats's only completed attempt at realistic fiction, details the title character's dilemma: He must choose between life in London and marriage to Margaret Leland, an English girl, and life in Ireland and marriage to a childhood sweetheart, Mary Carton.  In addition to containing numerous autobiographical elements (for instance, the town of Ballah is modeled on…mehr

Produktbeschreibung
First published in 1891, John Sherman and Dhoya was Yeats's third separate publication.  The stories were revised  and reprinted in the 1908 Collected Works in Verse and Prose but not published again in Yeats's lifetime. John Sherman, Yeats's only completed attempt at realistic fiction, details the title character's dilemma: He must choose between life in London and marriage to Margaret Leland, an English girl, and life in Ireland and marriage to a childhood sweetheart, Mary Carton.  In addition to containing numerous autobiographical elements (for instance, the town of Ballah is modeled on Yeats's Sligo), the novelette treats many of Yeats's persistent themes, such as the debate between nationality and cosmopolitanism and the conflict between what he would later call the Self and the Anti-Self.  In the end, Sherman reaffirms his Irish roots, and Margaret Leland's affections are transferred to Sherman's friend, the Reverend William Howard. Dhoya, a mythological tale set in the remote past, depicts a liasion between a mortal and a fairy, a motif that Yeats used in many other works. Describing the inevitable conflict between a world of perfection and the mortal world, the short story suggests that "only the changing, and moody, and angry,  and weary can love." Well received by most contemporary reviewers, John Sherman and Dhoya are important both as works of fiction and as indications of the fundamental continuity of subject and theme in Yeats's career.  This edition offers an accurate text, an introduction, and explanatory notes.
Autorenporträt
William Butler Yeats[a] (13 June 1865 - 28 January 1939) was an Irish poet and one of the foremost figures of 20th-century literature. A pillar of the Irish literary establishment, he helped to found the Abbey Theatre, and in his later years served two terms as a Senator of the Irish Free State. He was a driving force behind the Irish Literary Revival along with Lady Gregory, Edward Martyn and others. Yeats was born in Sandymount, Ireland, and educated there and in London. He spent childhood holidays in County Sligo and studied poetry from an early age, when he became fascinated by Irish legends and the occult. These topics feature in the first phase of his work, which lasted roughly until the turn of the 20th century. His earliest volume of verse was published in 1889, and its slow-paced and lyrical poems display debts to Edmund Spenser, Percy Bysshe Shelley, and the poets of the Pre-Raphaelite Brotherhood. From 1900, his poetry grew more physical and realistic. He largely renounced the transcendental beliefs of his youth, though he remained preoccupied with physical and spiritual masks, as well as with cyclical theories of life. In 1923, he was awarded the Nobel Prize in Literature. William Butler Yeats was born in Sandymount in County Dublin, Ireland.[1] His father, John Butler Yeats (1839-1922), was a descendant of Jervis Yeats, a Williamite soldier, linen merchant, and well-known painter, who died in 1712.[2] Benjamin Yeats, Jervis's grandson and William's great-great-grandfather, had in 1773[3] married Mary Butler[4] of a landed family in County Kildare.[5] Following their marriage, they kept the name Butler. Mary was of the Butler of Neigham (pronounced Nyam) Gowran family, descended from an illegitimate brother of the 8th Earl of Ormond.[6] At the time of his marriage, William's father, John Yeats, was studying law, but would later pursue art studies at Heatherley School of Fine Art, in London.[7] William's mother, Susan Mary Pollexfen, came from Sligo, from a wealthy merchant family, which owned a milling and shipping business. Soon after William's birth, the family relocated to the Pollexfen home at Merville, Sligo, to stay with her extended family, and the young poet came to think of the area as his childhood and spiritual home. Its landscape became, over time, both literally and symbolically, his "country of the heart".[8] So too did its location by the sea; John Yeats stated that "by marriage with a Pollexfen, we have given a tongue to the sea cliffs".[9] The Butler Yeats family were highly artistic; his brother Jack became an esteemed painter, while his sisters Elizabeth and Susan Mary-known to family and friends as Lollie and Lily-became involved in the Arts and Crafts movement