This volume completes the second half of Liszt's writings about stage works, its composers, and music drama. In this volume, Liszt focuses on the works of his most controversial devotee and son-in-law, Richard Wagner, whose music dramas Liszt championed as conductor during his tenure in Weimar.
This volume completes the second half of Liszt's writings about stage works, its composers, and music drama. In this volume, Liszt focuses on the works of his most controversial devotee and son-in-law, Richard Wagner, whose music dramas Liszt championed as conductor during his tenure in Weimar.
Foreword by Nicolas Dufetel, IReMus (Institut de recherche en musicologie), CNRS//Université Paris-Sorbonne/Bibliothèque nationale de France/Ministère de la Culture, Paris The Writings 1Tannhäuser and the Contest of Song at the Wartburg (1849) 2Lohengrin, the Great Romantic Opera by Richard Wagner, and its Premiere Performance in Weimar (on the Occasion of the Herder and Goethe Festival) (1850) 3The Flying Dutchman by Richard Wagner (1859) 4The Rhine's Gold. On 1 January (1855)
Foreword by Nicolas Dufetel, IReMus (Institut de recherche en musicologie), CNRS//Université Paris-Sorbonne/Bibliothèque nationale de France/Ministère de la Culture, Paris The Writings 1Tannhäuser and the Contest of Song at the Wartburg (1849) 2Lohengrin, the Great Romantic Opera by Richard Wagner, and its Premiere Performance in Weimar (on the Occasion of the Herder and Goethe Festival) (1850) 3The Flying Dutchman by Richard Wagner (1859) 4The Rhine's Gold. On 1 January (1855)
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