Compellingly demonstrates the relationship between sensory and gender orders, highlighting the gender politics behind such sensory constructs as the male gaze and the female touch.
Compellingly demonstrates the relationship between sensory and gender orders, highlighting the gender politics behind such sensory constructs as the male gaze and the female touch.
Constance Classen is a cultural historian whose previous publications include Worlds of Sense: Exploring the Senses in History and Across Cultures and Aroma: The Cultural History of Smell (with David Howes and Anthony Synnott).
Inhaltsangabe
Introduction PART I Cosmology 1 On the color of angels: the sensory cosmologies of St. Hildegard Boehme and Fourier 2 The breath of God: sacred histories of scent PART II Gender 3 The scented womb and the seminal eye: embodying gender codes through the senses 4 Pens and needles: writing women's work and feminine sensibilities PART III Aesthetics 5 Symbolist harmonies Futurist colors Surrealist recipes: crossing sensory borders in the arts 6 A feel for the world: lessons in aesthetics from the blind
Introduction PART I Cosmology 1 On the color of angels: the sensory cosmologies of St. Hildegard Boehme and Fourier 2 The breath of God: sacred histories of scent PART II Gender 3 The scented womb and the seminal eye: embodying gender codes through the senses 4 Pens and needles: writing women's work and feminine sensibilities PART III Aesthetics 5 Symbolist harmonies Futurist colors Surrealist recipes: crossing sensory borders in the arts 6 A feel for the world: lessons in aesthetics from the blind
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