How should a seventeenth-centry Spanish verse play be presented to a contemporary English-speaking audience?Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
The Comedia in English: An Overview of Translation and Performance Translating Comedias into English Verse for Modern Audiences - Dakin Matthews Translating the Polymetric Comedia for Performance [with Special Ref erence to Lope de Vega's Sonnets] - Victor Dixon Lope de Vega in English: The Historicised Imagination - David Johnston Found in Translation: María de Zaya's Friendship Betrayed and the En glish-Speaking Stage - Catherine Larson Transformation and Fluidity in the Translation of Classical Texts for Perfo rmance: The Case of Cervantes's Entremeses - Dawn L. Smith Translation as Relocation - Ben Gunter Rehearsing Spite for Spite - Michael Halberstam Directing Don Juan, The Trickster Of Seville - Anne McNaughton Directing the Comedia: Notes on a Process - Tirso's Tamar Untamed: A Lesson of the Royal Shakespeare Company's Producti on - Jonathan W. Thacker The Loss of Context and the Traps of Gender in Sor Juana's Los empeños de una casa/House of Desires - Catherine M. Boyle Tirso's Burlador de Sevilla as Playtext in English - James Parr Anne McNaughton's Don Juan: A Rogue for All Seasons - A. Robert Lauer Aspectual, Performative, and "Foreign" Lope/Shakespeare: Staging Capulet s & Montagues and Peribáñez in English and > in "Sicilian" - Susan L. Fischer Zaya's Comic Sense: The First Performance in English of La traición en la amistad - Sharon D Voros María de Zaya's Friendship Betrayed à la Hollywood: Translation, Transculturation, and Production - Barbara Mujica
The Comedia in English: An Overview of Translation and Performance Translating Comedias into English Verse for Modern Audiences - Dakin Matthews Translating the Polymetric Comedia for Performance [with Special Ref erence to Lope de Vega's Sonnets] - Victor Dixon Lope de Vega in English: The Historicised Imagination - David Johnston Found in Translation: María de Zaya's Friendship Betrayed and the En glish-Speaking Stage - Catherine Larson Transformation and Fluidity in the Translation of Classical Texts for Perfo rmance: The Case of Cervantes's Entremeses - Dawn L. Smith Translation as Relocation - Ben Gunter Rehearsing Spite for Spite - Michael Halberstam Directing Don Juan, The Trickster Of Seville - Anne McNaughton Directing the Comedia: Notes on a Process - Tirso's Tamar Untamed: A Lesson of the Royal Shakespeare Company's Producti on - Jonathan W. Thacker The Loss of Context and the Traps of Gender in Sor Juana's Los empeños de una casa/House of Desires - Catherine M. Boyle Tirso's Burlador de Sevilla as Playtext in English - James Parr Anne McNaughton's Don Juan: A Rogue for All Seasons - A. Robert Lauer Aspectual, Performative, and "Foreign" Lope/Shakespeare: Staging Capulet s & Montagues and Peribáñez in English and > in "Sicilian" - Susan L. Fischer Zaya's Comic Sense: The First Performance in English of La traición en la amistad - Sharon D Voros María de Zaya's Friendship Betrayed à la Hollywood: Translation, Transculturation, and Production - Barbara Mujica
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826
