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Cymbeline repeats many of Shakespeare's plot devices: "villainous slander, homicidal jealousy, cross-gender disguise, a deathlike trance, the appearance of Jupiter in a vision, and final repentance, forgiveness, and reunion" (Mowat, xiii), all of which result in an "improbable story" (Mowat, xv). As a romance, the play calls to mind the need for Coleridge's "willing suspension of disbelief" (Biographia Literaria, quoted in Greenblatt, 478). Yet it is still Shakespeare.

Produktbeschreibung
Cymbeline repeats many of Shakespeare's plot devices: "villainous slander, homicidal jealousy, cross-gender disguise, a deathlike trance, the appearance of Jupiter in a vision, and final repentance, forgiveness, and reunion" (Mowat, xiii), all of which result in an "improbable story" (Mowat, xv). As a romance, the play calls to mind the need for Coleridge's "willing suspension of disbelief" (Biographia Literaria, quoted in Greenblatt, 478). Yet it is still Shakespeare.
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Autorenporträt
Donald Richardson OAM, a senior practicing artist and retired long-term educator in art, design and art history, has never been satisfied by historic writing in the field. In this book, he summarises and deconstructs key documents and marshals the clamouring desperation of many for redress and restitution. In the process, he proposes innovations for education and practice (in particular relating to perspective rendering and form). More generally, he proposes that the aesthetic be recognised as a sense of universal human relevance and value.