The Complete Kama Sutra
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LITERATURE / SEXUALITY "Danielou's new and complete translation of the Kama Sutra is one of his masterpieces. It is all enchantment, a world of refined sensation totally without humbug. Our debt to his scholarship and humanity is immeasurable." --The Times Literary Supplement The world's oldest and most widely read guide to the pleasures and techniques of sex, the Kama Sutra was compiled in the fourth century A.D. by a Brahmin and religious scholar name Vatsyayana, who worked from texts dating back to the fourth century B.C. Until the present, the only English translation of his Hindu love…mehr

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LITERATURE / SEXUALITY "Danielou's new and complete translation of the Kama Sutra is one of his masterpieces. It is all enchantment, a world of refined sensation totally without humbug. Our debt to his scholarship and humanity is immeasurable." --The Times Literary Supplement The world's oldest and most widely read guide to the pleasures and techniques of sex, the Kama Sutra was compiled in the fourth century A.D. by a Brahmin and religious scholar name Vatsyayana, who worked from texts dating back to the fourth century B.C. Until the present, the only English translation of his Hindu love classic was that of the famous English explorer Sir Richard Burton, published in 1883. Unlike Burton's version, Alain Danielou's new translation preserves the numbered verse divisions of the original and includes two essential commentaries: the Fayamangala commentary, written in Sanskrit by Yashodhara during the Middle Ages, and a modern Hindi commentary by Devadatta Shastri. Whereas Burton's Victorian reluctance to translate certain terms obscured our understanding of the philosophy and techniques of the Kama Sutra, Danielou has preserved the full explicitness of the original, dealing with everything from the art of scratching to relations with the wives of others. Realistic and pragmatic in its approach, the Kama Sutra deals without ambiguity or hypocrisy with all aspects of sexual life--including marriage, adultery, prostitution, group sex, sadomasochism, male and female homosexuality, and transvestism. The text paints a fascinating portrait of an India whose openness to sexuality gave rise to a highly developed expression of the erotic. ALAIN DANIeLOU, in a career spanning six decades, has elucidated for thousands of readers the meanings of the art, music, and religious traditions of both East and West. His numerous books include The Myths and Gods of India, Gods of Love and Ecstasy, and Virtue, Success, Pleasure, and Liberation.
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Autorenporträt
Alain Danilou (1907-1994) was without question a Renaissance man. Following his early years as an artist, dancer, and musician in Paris (Cocteau, Diaghilev, and Stravinsky were among his friends), Danilou settled in India, where he spent fifteen years in the study of Sanskrit, philosophy, and music. After numerous university appointments in India, he returned in 1963 to Europe, establishing the Institute of Comparative Music Studies in Berlin for the reevaluation of Asian music. Danilou wrote more than thirty books about the philosophy, religion, history, and arts of India, including Gods of Love and Ecstasy; Myths and Gods of India; Virtue, Success, Pleasure, and Liberation; While the Gods Play; The Phallus; and Music and the Power of Sound.