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King John is quite problematic. As the ending is not a satisfying resolution, the audience is left without a sense of completion. It appears everything is left up in the air, unlike the satisfying endings of Lear, Macbeth, or even Hamlet in all of which it is clear that the world will go on despite the tragic events which transpired before. "The ending rushes not to closure, as some have suggested, but to another threshold, thus reinforcing the play's overall fluid, mutable temper" (Curren-Aquino, 266).

Produktbeschreibung
King John is quite problematic. As the ending is not a satisfying resolution, the audience is left without a sense of completion. It appears everything is left up in the air, unlike the satisfying endings of Lear, Macbeth, or even Hamlet in all of which it is clear that the world will go on despite the tragic events which transpired before. "The ending rushes not to closure, as some have suggested, but to another threshold, thus reinforcing the play's overall fluid, mutable temper" (Curren-Aquino, 266).
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Autorenporträt
Donald Richardson OAM, a senior practicing artist and retired long-term educator in art, design and art history, has never been satisfied by historic writing in the field. In this book, he summarises and deconstructs key documents and marshals the clamouring desperation of many for redress and restitution. In the process, he proposes innovations for education and practice (in particular relating to perspective rendering and form). More generally, he proposes that the aesthetic be recognised as a sense of universal human relevance and value.