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Measure for Measure is "usually considered one of [Shakespeare's] unpleasant comedies" (Asimov, 635) since mercy is offered to "the villain" (Asimov). The duplicity of the Duke is debatable too, along with the final resolution that offers mercy toward the guilty. Like All's Well That Ends Well, the play should foster discussion about the paternalistic and somewhat insensitive treatment of women and their right to control their own bodies. "Critics have often debated both the quality of the justice the play delivers and its attempt to balance the respective claims of Law and Mercy" (Crewe, xlvii). Such debates continue today.…mehr

Produktbeschreibung
Measure for Measure is "usually considered one of [Shakespeare's] unpleasant comedies" (Asimov, 635) since mercy is offered to "the villain" (Asimov). The duplicity of the Duke is debatable too, along with the final resolution that offers mercy toward the guilty. Like All's Well That Ends Well, the play should foster discussion about the paternalistic and somewhat insensitive treatment of women and their right to control their own bodies. "Critics have often debated both the quality of the justice the play delivers and its attempt to balance the respective claims of Law and Mercy" (Crewe, xlvii). Such debates continue today.
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Autorenporträt
Donald Richardson OAM, a senior practicing artist and retired long-term educator in art, design and art history, has never been satisfied by historic writing in the field. In this book, he summarises and deconstructs key documents and marshals the clamouring desperation of many for redress and restitution. In the process, he proposes innovations for education and practice (in particular relating to perspective rendering and form). More generally, he proposes that the aesthetic be recognised as a sense of universal human relevance and value.