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Titus Andronicus, like Hamlet, is a revenge tragedy but one that "focuses on violence and horror[;] . . . its mood is one of revulsion" (Bevington, Introduction). Despite parallels between Aaron and Iago and between Titus and Lear, the play extends the genre of revenge tragedy and becomes one of unremitting violence and bloodshed. Although the revenge is supposed to offer some type of catharsis, it is challenging to accept the unmitigated and almost purposeless violence of the play. It is small wonder that scholars have denied Shakespeare as the author.

Produktbeschreibung
Titus Andronicus, like Hamlet, is a revenge tragedy but one that "focuses on violence and horror[;] . . . its mood is one of revulsion" (Bevington, Introduction). Despite parallels between Aaron and Iago and between Titus and Lear, the play extends the genre of revenge tragedy and becomes one of unremitting violence and bloodshed. Although the revenge is supposed to offer some type of catharsis, it is challenging to accept the unmitigated and almost purposeless violence of the play. It is small wonder that scholars have denied Shakespeare as the author.
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Autorenporträt
Donald Richardson OAM, a senior practicing artist and retired long-term educator in art, design and art history, has never been satisfied by historic writing in the field. In this book, he summarises and deconstructs key documents and marshals the clamouring desperation of many for redress and restitution. In the process, he proposes innovations for education and practice (in particular relating to perspective rendering and form). More generally, he proposes that the aesthetic be recognised as a sense of universal human relevance and value.