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Blind rage underlies Leontes' jealousy in The Winter's Tale. Although his jealously is akin to Othello's, it is not carried out to the same extent, thanks to the oracle's pronouncement. While Leontes's change of heart strains credibility, he does redeem himself and, in the process, changes the tragedy into a comedy, or at least a play with a happy resolution. One might also compare Hermione with Desdemona as both are "more sinned against than sinning" (Lear, III.2). Despite Leontes' reformation, one cannot avoid sympathy for Hermione, she who has been made to pay dearly for her husband's lack of faith and trust. She certainly deserves more.…mehr

Produktbeschreibung
Blind rage underlies Leontes' jealousy in The Winter's Tale. Although his jealously is akin to Othello's, it is not carried out to the same extent, thanks to the oracle's pronouncement. While Leontes's change of heart strains credibility, he does redeem himself and, in the process, changes the tragedy into a comedy, or at least a play with a happy resolution. One might also compare Hermione with Desdemona as both are "more sinned against than sinning" (Lear, III.2). Despite Leontes' reformation, one cannot avoid sympathy for Hermione, she who has been made to pay dearly for her husband's lack of faith and trust. She certainly deserves more.
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Autorenporträt
Donald Richardson OAM, a senior practicing artist and retired long-term educator in art, design and art history, has never been satisfied by historic writing in the field. In this book, he summarises and deconstructs key documents and marshals the clamouring desperation of many for redress and restitution. In the process, he proposes innovations for education and practice (in particular relating to perspective rendering and form). More generally, he proposes that the aesthetic be recognised as a sense of universal human relevance and value.