This book explores the notion of 'the tragic' from the perspective of social science. Tracing the history of tragedy and arguing for the relevance of the concept for social science today, it develops the idea of 'tragic social science' as a useful analytic to be applied to a range of modern topics.
This book explores the notion of 'the tragic' from the perspective of social science. Tracing the history of tragedy and arguing for the relevance of the concept for social science today, it develops the idea of 'tragic social science' as a useful analytic to be applied to a range of modern topics.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Sam Han is Lecturer in Sociology at Brunel University, London. He is the author of (Inter)Facing Death: Life in Global Uncertainty, Technologies of Religion: Spheres of the Sacred in a Post-Secular Modernity and Digital Culture and Religion in Asia (with Kamaludeen Mohamed Nasir), and other works.
Inhaltsangabe
Acknowledgments 1. Introduction: Why tragedy? Why now? Part I 2. Beyond intentionality: the will, agency, and subjectivity in ancient and classical tragedy 3. The tragic individual: catharsis, the hero, and the flaw in Aristotle and beyond 4. Modern tragedy and its subjects: Shakespeare, Freud, and post-Christian metaphysics Part II 5. The theodicy of suffering: abjection under capitalism 6. From hero to celebrity: Fame, familiarity, and redemption 7. Tragedy of the commons: genre and collective agency amidst climate change and the COVID-19 pandemic 8. Toward a tragic social science: responsibility, critique, and thinking diffractively
Acknowledgments
Introduction: Why tragedy? Why now?
Part I
Beyond intentionality: the will, agency, and subjectivity in ancient and classical tragedy
The tragic individual: catharsis, the hero, and the flaw in Aristotle and beyond
Modern tragedy and its subjects: Shakespeare, Freud, and post-Christian metaphysics
Part II
The theodicy of suffering: abjection under capitalism
From hero to celebrity: Fame, familiarity, and redemption
Tragedy of the commons: genre and collective agency amidst climate change and the COVID-19 pandemic
Toward a tragic social science: responsibility, critique, and thinking diffractively
Acknowledgments 1. Introduction: Why tragedy? Why now? Part I 2. Beyond intentionality: the will, agency, and subjectivity in ancient and classical tragedy 3. The tragic individual: catharsis, the hero, and the flaw in Aristotle and beyond 4. Modern tragedy and its subjects: Shakespeare, Freud, and post-Christian metaphysics Part II 5. The theodicy of suffering: abjection under capitalism 6. From hero to celebrity: Fame, familiarity, and redemption 7. Tragedy of the commons: genre and collective agency amidst climate change and the COVID-19 pandemic 8. Toward a tragic social science: responsibility, critique, and thinking diffractively
Acknowledgments
Introduction: Why tragedy? Why now?
Part I
Beyond intentionality: the will, agency, and subjectivity in ancient and classical tragedy
The tragic individual: catharsis, the hero, and the flaw in Aristotle and beyond
Modern tragedy and its subjects: Shakespeare, Freud, and post-Christian metaphysics
Part II
The theodicy of suffering: abjection under capitalism
From hero to celebrity: Fame, familiarity, and redemption
Tragedy of the commons: genre and collective agency amidst climate change and the COVID-19 pandemic
Toward a tragic social science: responsibility, critique, and thinking diffractively
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