Andere Kunden interessierten sich auch für
![Hindustani Music in the 20th Century]( "Hindustani Music in the 20th Century")
Hindustani Music in the 20th Century83,99 €![On the French sound aesthetics of the transverse flute in the 18th century]( "On the French sound aesthetics of the transverse flute in the 18th century")
On the French sound aesthetics of the transverse flute in the 18th century20,99 €![The Art of Accompanying and Coaching]( "The Art of Accompanying and Coaching")
The Art of Accompanying and Coaching83,99 €![An Encyclopedia of Quotations About Music]( "An Encyclopedia of Quotations About Music")
An Encyclopedia of Quotations About Music42,99 €![The String Quartet in Spain]( "The String Quartet in Spain")
The String Quartet in Spain118,75 €![The Music of Central Africa]( "The Music of Central Africa")
The Music of Central Africa42,99 €![Funktionale Metrik in Claviertänzen des 17. und 18. Jahrhunderts]( "Funktionale Metrik in Claviertänzen des 17. und 18. Jahrhunderts")
Funktionale Metrik in Claviertänzen des 17. und 18. Jahrhunderts84,00 €
W HAT I H A V E attempted in this book is a survey of song; the kind of song which one finds variously described as 'concert', 'art', or sometimes even 'classical song'. 'Concert song' seems the most useful, certainly the least inexact or misleading, of some descriptions, especially since 'art song' sounds primly off putting, and 'classical song' really ought to be used only to refer to songs written during the classical period, i. e. the 18th century. Concert song clearly means the kind of songs one hears sung at concerts or recitals. Addressing myself to the general music-lover who, though he possesses no special knowledge of the song literature, is never theless interested enough in songs and their singers to attend recitals of Lieder or of songs in various languages, I have naturally confined myself to that period of time in which the vast majority of these songs was composed, though not necessarily only to those composers whose songs have survived to be remembered in recitalprogrammes today. I suppose this to be roughly the three centuries covered by the years 1650-1950, though most of the songs we, as audiences, know and love were composed in the middle of this period, in other words in the 19th century.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.