The consecration of dance at the Théâtre national de Chaillot - Le Lagadec, Mahaut
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Why is Chaillot today the National Theatre of Dance? In order to answer this question, we must first recall the major trends in a sector that is in full effervescence and in constant evolution, that of the performing arts, to which the choreographic sector belongs. It will also be necessary to paint a portrait of a historic institution in transformation, the Théâtre national de Chaillot, a concentration of issues that are easily identifiable elsewhere, in other institutions and other structures of the performing arts. Finally, it will be necessary to shed light on the problem of the change in…mehr

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Produktbeschreibung
Why is Chaillot today the National Theatre of Dance? In order to answer this question, we must first recall the major trends in a sector that is in full effervescence and in constant evolution, that of the performing arts, to which the choreographic sector belongs. It will also be necessary to paint a portrait of a historic institution in transformation, the Théâtre national de Chaillot, a concentration of issues that are easily identifiable elsewhere, in other institutions and other structures of the performing arts. Finally, it will be necessary to shed light on the problem of the change in the artistic project at Chaillot, to understand how it was able to take root and find meaning, materially and humanly.
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Autorenporträt
Após um curso preparatório de literatura, um curso no Sciences Po Rennes e um mestrado 2 em gestão cultural no Paris Dauphine, Mahaut decidiu recorrer à produção no campo do espectáculo ao vivo, com um enfoque particular na dança. Actualmente é responsável pela produção para a companhia da coreógrafa Fabrice Lambert.