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The Construction of Vernacular History in the Anglo-Norman Prose Brut Chronicle
The Manuscript Culture of Late Medieval England
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The prose Brut chronicle was the most popular vernacular work of the late Middle Ages in England, setting a standard for vernacular historical writing well into the age of print, but until recently it has attracted little scholarly attention. This book combines a study of the chronicle's sources, content, and methods of composition, with its manuscript contexts. Using the the Anglo-Norman Oldest Version as a touchstone, it investigates the chronicle's social ideals, its representation of women, and its distinctive versions of such elements of British history as the Trojan foundation myth, the ...
The prose Brut chronicle was the most popular vernacular work of the late Middle Ages in England, setting a standard for vernacular historical writing well into the age of print, but until recently it has attracted little scholarly attention. This book combines a study of the chronicle's sources, content, and methods of composition, with its manuscript contexts. Using the the Anglo-Norman Oldest Version as a touchstone, it investigates the chronicle's social ideals, its representation of women, and its distinctive versions of such elements of British history as the Trojan foundation myth, the ruin of the Britons, the Norman Conquest, and Arthur and Merlin, arguing that its humane, populist vision demands reassessment of medieval popular understandings of British history, and of the presumed dominance of imperialism, next-worldly piety, misogyny, and a taste for violence in late-medieval culture. Thebook also analyses evidence for the production of the Anglo-Norman Brut, and examines the ways in which its makers and users reconstructed British history through manuscript context, ordinatio>/ and apparatus, annotation and illustration. Julia Marvin is a Fellow of the Medieval Institute and Associate Professor in the Program of Liberal Studies at the University of Notre Dame.
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