This book charts the articulations of the femme fatale in American cinema of the past twenty years, and contends that, despite her problematic relationship with feminism, she offers a vital means for reading the connections between mainstream cinema and representations of female agency.
This book charts the articulations of the femme fatale in American cinema of the past twenty years, and contends that, despite her problematic relationship with feminism, she offers a vital means for reading the connections between mainstream cinema and representations of female agency.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Katherine Farrimond is Lecturer in Media and Cultural Studies at the University of Sussex, UK. Her research focuses on the intersections of the body, sexuality and gender in contemporary popular film and television. She has published work on the femme fatale, genre, nostalgia and virginity.
Inhaltsangabe
Introduction Part I: Retro 1.The Femme Fatale Who Wasn't There: Retro Noir's Glamorous Ghosts 2. Dead Girls on Film: Retro Noir and the Corpse of the Femme Fatale Part II: Girls 3. Bad Girls Don't Cry?: Desire, Punishment, and Girls in Crisis 4. Getting Away with It: Postfeminism and the Victorious Girl Part III: Bisexuality 5. Bisexual Detection: Visibility, Epistemology and Contamination 6. Bisexual Fragmentation: Failures of Representation Part IV: Monstrosity 7. Bodies of Evidence: Possession, Science, and the Separation of Power 8. Bodies without Origins: Beyond the Myth of the Original Woman Conclusion
Introduction Part I: Retro 1.The Femme Fatale Who Wasn't There: Retro Noir's Glamorous Ghosts 2. Dead Girls on Film: Retro Noir and the Corpse of the Femme Fatale Part II: Girls 3. Bad Girls Don't Cry?: Desire, Punishment, and Girls in Crisis 4. Getting Away with It: Postfeminism and the Victorious Girl Part III: Bisexuality 5. Bisexual Detection: Visibility, Epistemology and Contamination 6. Bisexual Fragmentation: Failures of Representation Part IV: Monstrosity 7. Bodies of Evidence: Possession, Science, and the Separation of Power 8. Bodies without Origins: Beyond the Myth of the Original Woman Conclusion
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