Andrea Sabbadini (ed.)
The Couch and the Silver Screen
Psychoanalytic Reflections on European Cinema
Herausgeber: Sabbadini, Andrea
Andrea Sabbadini (ed.)
The Couch and the Silver Screen
Psychoanalytic Reflections on European Cinema
Herausgeber: Sabbadini, Andrea
- Broschiertes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
This book is a diverse collection of contributions which explore European cinema from psychoanalytic perspectives. Both classic and contemporary films are presented and analyzed by a variety of authors, including leading cinema historians and theorists, psychoanalysts with a specific expertise in the interpretation of films, as well as the filmmakers themselves.
Andere Kunden interessierten sich auch für
- Eavesdropping59,99 €
- D N RodowickThe Difficulty of Difference61,99 €
- Helena Bassil-MorozowThe Trickster in Contemporary Film55,99 €
- Harriet E MargolisThe Cinema Ideal61,99 €
- Psychoanalytic Perspectives on Virtual Intimacy and Communication in Film55,99 €
- Maureen TurimFlashbacks in Film66,99 €
- Greg SinghFeeling Film68,99 €
-
-
-
This book is a diverse collection of contributions which explore European cinema from psychoanalytic perspectives. Both classic and contemporary films are presented and analyzed by a variety of authors, including leading cinema historians and theorists, psychoanalysts with a specific expertise in the interpretation of films, as well as the filmmakers themselves.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 280
- Erscheinungstermin: 29. Mai 2003
- Englisch
- Abmessung: 238mm x 157mm x 16mm
- Gewicht: 435g
- ISBN-13: 9781583919521
- ISBN-10: 158391952X
- Artikelnr.: 21231637
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 280
- Erscheinungstermin: 29. Mai 2003
- Englisch
- Abmessung: 238mm x 157mm x 16mm
- Gewicht: 435g
- ISBN-13: 9781583919521
- ISBN-10: 158391952X
- Artikelnr.: 21231637
Andrea Sabbadini is a psychoanalyst in private practice in London and a lecturer at UCL. He is founding editor of Psychoanalysis and History and book review editor of The International Journal of Psychoanalysis. He chairs the European Psychoanalytic Film Festival and a series of film events at the ICA.
Mulvey
Foreword. Sabbadini
Introduction. Part I: Set and Stage. Bertolucci
Shaw
Mawson
The Inner and Outer Worlds of the Filmmaker's Temporary Social Structure. Christie
Stevenson
Taylor Robinson
One in the Eye From Sam - Samuel Beckett's Film (1964) and his Contribution to our Vision in Theatre
Cinema and Psychoanalysis. Part II: Working Through Trauma.Moretti
Golinelli
Bolognini
Sabbadini
Sons and Fathers: A Room of their Own - Nanni Moretti's The Son's Room (2001). Sekoff
Witness and Persecution in two Short Films: Miguel Sapochnik's The Dreamer (2001) and Lindy Heymann's Kissing Buba (2001). Annegret Mahler-Bungers
A Post-postmodern Walkyrie - Psychoanalytic Considerations on Tom Tykwer's Run
Lola
Run (1999). Pedrón de Martín
Thomas Vinterberg's Festen (1998) - An Attempt to Avoid Madness Through Denunciation. Diamond
Itsván Szabo's Sunshine (1999) - The Cinematic Representation of Historical and Familial Trauma. Part III: Horror Perspectives. Schneider
Notes on the Relevance of Psychoanalytic Theory to Euro-horror Cinema. Campbell
Dario Argento's Phenomena (1985) - A Psychoanalytic Perspective on the 'Horror Film' Genre and Adolescent Development. Aubry
Freedom Through Re-introjection: A Kleinian Perspective on Dominik Moll's Harry: He's Here to Help (2000). Grant
Cinema
Horror and the Abominations of Hell - Carl-Theodor Dreyer's Vampyr (1931) and Lucio Fulci's The Beyond (1981). Part IV: Documenting Internal Worlds. Apted
Taylor Robinson
Narratives and Documentaries - An Encounter with Michael Apted and his Films. Cowie
The Cinematic Dream-work of Ingmar Bergman's Wild Strawberries (1957). Filipovic
Film as an Abreaction of Totalitarianism - Vinko Bre an's Marshal Tito's Spirit (2000). Berman
Rosenheimer
Aviad
Documentary Directors and their Protagonists: A Transferential / Countertransferential Relationship? Timna Rosenheimer's Fortuna (2000) and Michal Aviad's Ever Shot Anyone? (1995). Brody
Brearley
Filming Psychoanalysis: Feature or Documentary? Two Contributions.
Foreword. Sabbadini
Introduction. Part I: Set and Stage. Bertolucci
Shaw
Mawson
The Inner and Outer Worlds of the Filmmaker's Temporary Social Structure. Christie
Stevenson
Taylor Robinson
One in the Eye From Sam - Samuel Beckett's Film (1964) and his Contribution to our Vision in Theatre
Cinema and Psychoanalysis. Part II: Working Through Trauma.Moretti
Golinelli
Bolognini
Sabbadini
Sons and Fathers: A Room of their Own - Nanni Moretti's The Son's Room (2001). Sekoff
Witness and Persecution in two Short Films: Miguel Sapochnik's The Dreamer (2001) and Lindy Heymann's Kissing Buba (2001). Annegret Mahler-Bungers
A Post-postmodern Walkyrie - Psychoanalytic Considerations on Tom Tykwer's Run
Lola
Run (1999). Pedrón de Martín
Thomas Vinterberg's Festen (1998) - An Attempt to Avoid Madness Through Denunciation. Diamond
Itsván Szabo's Sunshine (1999) - The Cinematic Representation of Historical and Familial Trauma. Part III: Horror Perspectives. Schneider
Notes on the Relevance of Psychoanalytic Theory to Euro-horror Cinema. Campbell
Dario Argento's Phenomena (1985) - A Psychoanalytic Perspective on the 'Horror Film' Genre and Adolescent Development. Aubry
Freedom Through Re-introjection: A Kleinian Perspective on Dominik Moll's Harry: He's Here to Help (2000). Grant
Cinema
Horror and the Abominations of Hell - Carl-Theodor Dreyer's Vampyr (1931) and Lucio Fulci's The Beyond (1981). Part IV: Documenting Internal Worlds. Apted
Taylor Robinson
Narratives and Documentaries - An Encounter with Michael Apted and his Films. Cowie
The Cinematic Dream-work of Ingmar Bergman's Wild Strawberries (1957). Filipovic
Film as an Abreaction of Totalitarianism - Vinko Bre an's Marshal Tito's Spirit (2000). Berman
Rosenheimer
Aviad
Documentary Directors and their Protagonists: A Transferential / Countertransferential Relationship? Timna Rosenheimer's Fortuna (2000) and Michal Aviad's Ever Shot Anyone? (1995). Brody
Brearley
Filming Psychoanalysis: Feature or Documentary? Two Contributions.
Mulvey
Foreword. Sabbadini
Introduction. Part I: Set and Stage. Bertolucci
Shaw
Mawson
The Inner and Outer Worlds of the Filmmaker's Temporary Social Structure. Christie
Stevenson
Taylor Robinson
One in the Eye From Sam - Samuel Beckett's Film (1964) and his Contribution to our Vision in Theatre
Cinema and Psychoanalysis. Part II: Working Through Trauma.Moretti
Golinelli
Bolognini
Sabbadini
Sons and Fathers: A Room of their Own - Nanni Moretti's The Son's Room (2001). Sekoff
Witness and Persecution in two Short Films: Miguel Sapochnik's The Dreamer (2001) and Lindy Heymann's Kissing Buba (2001). Annegret Mahler-Bungers
A Post-postmodern Walkyrie - Psychoanalytic Considerations on Tom Tykwer's Run
Lola
Run (1999). Pedrón de Martín
Thomas Vinterberg's Festen (1998) - An Attempt to Avoid Madness Through Denunciation. Diamond
Itsván Szabo's Sunshine (1999) - The Cinematic Representation of Historical and Familial Trauma. Part III: Horror Perspectives. Schneider
Notes on the Relevance of Psychoanalytic Theory to Euro-horror Cinema. Campbell
Dario Argento's Phenomena (1985) - A Psychoanalytic Perspective on the 'Horror Film' Genre and Adolescent Development. Aubry
Freedom Through Re-introjection: A Kleinian Perspective on Dominik Moll's Harry: He's Here to Help (2000). Grant
Cinema
Horror and the Abominations of Hell - Carl-Theodor Dreyer's Vampyr (1931) and Lucio Fulci's The Beyond (1981). Part IV: Documenting Internal Worlds. Apted
Taylor Robinson
Narratives and Documentaries - An Encounter with Michael Apted and his Films. Cowie
The Cinematic Dream-work of Ingmar Bergman's Wild Strawberries (1957). Filipovic
Film as an Abreaction of Totalitarianism - Vinko Bre an's Marshal Tito's Spirit (2000). Berman
Rosenheimer
Aviad
Documentary Directors and their Protagonists: A Transferential / Countertransferential Relationship? Timna Rosenheimer's Fortuna (2000) and Michal Aviad's Ever Shot Anyone? (1995). Brody
Brearley
Filming Psychoanalysis: Feature or Documentary? Two Contributions.
Foreword. Sabbadini
Introduction. Part I: Set and Stage. Bertolucci
Shaw
Mawson
The Inner and Outer Worlds of the Filmmaker's Temporary Social Structure. Christie
Stevenson
Taylor Robinson
One in the Eye From Sam - Samuel Beckett's Film (1964) and his Contribution to our Vision in Theatre
Cinema and Psychoanalysis. Part II: Working Through Trauma.Moretti
Golinelli
Bolognini
Sabbadini
Sons and Fathers: A Room of their Own - Nanni Moretti's The Son's Room (2001). Sekoff
Witness and Persecution in two Short Films: Miguel Sapochnik's The Dreamer (2001) and Lindy Heymann's Kissing Buba (2001). Annegret Mahler-Bungers
A Post-postmodern Walkyrie - Psychoanalytic Considerations on Tom Tykwer's Run
Lola
Run (1999). Pedrón de Martín
Thomas Vinterberg's Festen (1998) - An Attempt to Avoid Madness Through Denunciation. Diamond
Itsván Szabo's Sunshine (1999) - The Cinematic Representation of Historical and Familial Trauma. Part III: Horror Perspectives. Schneider
Notes on the Relevance of Psychoanalytic Theory to Euro-horror Cinema. Campbell
Dario Argento's Phenomena (1985) - A Psychoanalytic Perspective on the 'Horror Film' Genre and Adolescent Development. Aubry
Freedom Through Re-introjection: A Kleinian Perspective on Dominik Moll's Harry: He's Here to Help (2000). Grant
Cinema
Horror and the Abominations of Hell - Carl-Theodor Dreyer's Vampyr (1931) and Lucio Fulci's The Beyond (1981). Part IV: Documenting Internal Worlds. Apted
Taylor Robinson
Narratives and Documentaries - An Encounter with Michael Apted and his Films. Cowie
The Cinematic Dream-work of Ingmar Bergman's Wild Strawberries (1957). Filipovic
Film as an Abreaction of Totalitarianism - Vinko Bre an's Marshal Tito's Spirit (2000). Berman
Rosenheimer
Aviad
Documentary Directors and their Protagonists: A Transferential / Countertransferential Relationship? Timna Rosenheimer's Fortuna (2000) and Michal Aviad's Ever Shot Anyone? (1995). Brody
Brearley
Filming Psychoanalysis: Feature or Documentary? Two Contributions.