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Andrew Duncan's latest study of contemporary British poetry offers studies of some thirteen modern poets, together with a number of general essays giving an overview of events and trends in British poetry over the past thirty to forty years. Some of the names will surprise, others will be expected. The juxtapositions of ideas, and of names, will disturb those who are more comfortable with trench warfare than with dialogue, and Duncan's startling aperçus will leave even the most well-read student of poetry wondering.

Produktbeschreibung
Andrew Duncan's latest study of contemporary British poetry offers studies of some thirteen modern poets, together with a number of general essays giving an overview of events and trends in British poetry over the past thirty to forty years. Some of the names will surprise, others will be expected. The juxtapositions of ideas, and of names, will disturb those who are more comfortable with trench warfare than with dialogue, and Duncan's startling aperçus will leave even the most well-read student of poetry wondering.
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Autorenporträt
Andrew Duncan was born in 1956 and brought up in the Midlands. He worked as a labourer in England and Germany after leaving school, and subsequently as a project planner with a telecoms manufacturer (1978-87), and as a programmer for the Stock Exchange (1988-91). He has been publishing poetry since his Cambridge days in the late 70s, including Threads of Iron, Anxiety Before Entering a Room, Skeleton Looking at Chinese Pictures, Savage Survivals and, in 2018, a selected poems titled On the Margins of Great Empires. A new collection, With Feathers on Glass, appeared in 2023. He is one of the editors of Angel Exhaust and has translated a lot of modern German poetry. Over the past sixteen years he has also published a substantial amount of literary criticism: The Failure of Conservatism in Modern British Poetry (2006, rev. ed. 2016); Origins of the Underground: The Occlusion of British Poetry, 1932-77, Centre and Periphery (2005, rev. ed. 2016), The Council of Heresy (2009), The Long 1950s (2012), A Poetry Boom 1990-2010 (2015), Fulfilling the Silent Rules (2018) and Nothing is being suppressed (2022).