The Creative Critic
Writing as/about Practice
Herausgeber: Hilevaara, Katja; Orley, Emily
The Creative Critic
Writing as/about Practice
Herausgeber: Hilevaara, Katja; Orley, Emily
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Built around a diverse selection of writings from leading researcher-practitioners and emerging artists, The Creative Critic: Writing as/about Practice celebrates the range of possibilities available when writing about one's own work. It re-thinks the conventions of scholarly output to propose that critical writing be understood as an integral part of the artistic process, and even as artwork in its own right.
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Built around a diverse selection of writings from leading researcher-practitioners and emerging artists, The Creative Critic: Writing as/about Practice celebrates the range of possibilities available when writing about one's own work. It re-thinks the conventions of scholarly output to propose that critical writing be understood as an integral part of the artistic process, and even as artwork in its own right.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 304
- Erscheinungstermin: 17. April 2018
- Englisch
- Abmessung: 234mm x 156mm x 19mm
- Gewicht: 635g
- ISBN-13: 9781138674820
- ISBN-10: 1138674826
- Artikelnr.: 52494032
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 304
- Erscheinungstermin: 17. April 2018
- Englisch
- Abmessung: 234mm x 156mm x 19mm
- Gewicht: 635g
- ISBN-13: 9781138674820
- ISBN-10: 1138674826
- Artikelnr.: 52494032
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Katja Hilevaara is a collaborative artist, researcher and teacher who works in performance, installation and art-writing. Her research is concerned with (mis-) remembering, creative constraint and ideas surrounding maintenance, care and enchantment. She lectures at Goldsmiths, University of London, UK. www.katjahilevaara.com Emily Orley is a practitioner-researcher whose work includes performance, installation and art- (or place- or commemorative-) writing. She has been making work on her own and in collaboration for 17 years and currently lectures at the University of Roehampton, UK in the Drama, Theatre and Performance Department. www.emilyorley.com
Foreword Jane Rendell
Introduction Orley and Hilevaara
Section One: Manifesto (How)
I Am for an Art Writing Susannah Thompson
Lyric Theory PA Skantze
Notitia, Trust, and Creative Research Iain Biggs
Writing Without Writing: Conversation as Material Emma Cocker
The Distracted Cyclist G D White
Footnoting Performance Mike Pearson
An extract from Asara and the Sea-Monstress: a Play with Theory Mojisola Adebayo
Same Difference Nic Conibere
Critical groundlessness: Reflections on embodiment, virtuality and Quizoola LIVE Diana Damian Martin
A Conjuring Act in The Form of an Interview Augusto Corrieri
Yoko Ono Fanfiction owko69 (Owen G. Parry)
A Fugue State of Theatre Joe Kelleher
Writing with fungi, contagious Taru Elfving
Middleword One Peter Jaeger
Section Two: Position (Where)
The Blind & Deaf Highway Woman Undine Sellbach and Stephen Loo
Writing about the Sound of Unicorns Salome Voegelin
Far Stretch - Listening to Sound Happening Ella Finer
Instructions for Literature and Life: Writing-With Landscape Performances of Joy Helene Frichot
Thirteen Points, Expanded Kristen Kreider and James O'Leary
Returning in the House of Democracy Brigid McLeer
Dancing Architecture: Architect-Walking Cathy Turner
Dolphin Square to MI6 Walk - produced by Disappearing, almost Phil Smith
It Moves: reflections on walking as a practice of writing Mary Paterson
In departures, not departing Tim Etchells
Within the margarine of error: on performing Michael Basinski's 'The Germ of Creativity' Chris Goode
Elfie und Elsinore (fur Heidi) Hayley Newman
Marking a Life Mitch Rose
Middleword Two Maria Fusco
Section Three: Beside-ness (Whom)
Stains & Other Traces: Notebooks and Critical Practice Simon Piasecki
An Actor's Attempt at Sisyphus' Stone: Memory, Performance and Archetype Goze Saner
81 Sentences for Squat Theater circa 1981 Lin Hixson and Matthew Goulish
Language, Lips and Legacy: a pedlar's life for me Tracy McKenna
A Series of Continuous Accidents Rajni Shah
The Construction of Self(ies) Joanne 'Bob' Whalley & Lee Miller
The Path on the Floor and Other Uses of Hand-drawing Karen Christopher
Searching for the 'bandaged place' Louise Tondeur
The Catalogue for the Public Library of Private Acts Johanna Linsley
Field Notes from a Choreographic Practice Lucy Cash
K.Bae.Tré Douglas Kearney
Middleword Three Timothy Matthews
Afterword Jane Rendell
Introduction Orley and Hilevaara
Section One: Manifesto (How)
I Am for an Art Writing Susannah Thompson
Lyric Theory PA Skantze
Notitia, Trust, and Creative Research Iain Biggs
Writing Without Writing: Conversation as Material Emma Cocker
The Distracted Cyclist G D White
Footnoting Performance Mike Pearson
An extract from Asara and the Sea-Monstress: a Play with Theory Mojisola Adebayo
Same Difference Nic Conibere
Critical groundlessness: Reflections on embodiment, virtuality and Quizoola LIVE Diana Damian Martin
A Conjuring Act in The Form of an Interview Augusto Corrieri
Yoko Ono Fanfiction owko69 (Owen G. Parry)
A Fugue State of Theatre Joe Kelleher
Writing with fungi, contagious Taru Elfving
Middleword One Peter Jaeger
Section Two: Position (Where)
The Blind & Deaf Highway Woman Undine Sellbach and Stephen Loo
Writing about the Sound of Unicorns Salome Voegelin
Far Stretch - Listening to Sound Happening Ella Finer
Instructions for Literature and Life: Writing-With Landscape Performances of Joy Helene Frichot
Thirteen Points, Expanded Kristen Kreider and James O'Leary
Returning in the House of Democracy Brigid McLeer
Dancing Architecture: Architect-Walking Cathy Turner
Dolphin Square to MI6 Walk - produced by Disappearing, almost Phil Smith
It Moves: reflections on walking as a practice of writing Mary Paterson
In departures, not departing Tim Etchells
Within the margarine of error: on performing Michael Basinski's 'The Germ of Creativity' Chris Goode
Elfie und Elsinore (fur Heidi) Hayley Newman
Marking a Life Mitch Rose
Middleword Two Maria Fusco
Section Three: Beside-ness (Whom)
Stains & Other Traces: Notebooks and Critical Practice Simon Piasecki
An Actor's Attempt at Sisyphus' Stone: Memory, Performance and Archetype Goze Saner
81 Sentences for Squat Theater circa 1981 Lin Hixson and Matthew Goulish
Language, Lips and Legacy: a pedlar's life for me Tracy McKenna
A Series of Continuous Accidents Rajni Shah
The Construction of Self(ies) Joanne 'Bob' Whalley & Lee Miller
The Path on the Floor and Other Uses of Hand-drawing Karen Christopher
Searching for the 'bandaged place' Louise Tondeur
The Catalogue for the Public Library of Private Acts Johanna Linsley
Field Notes from a Choreographic Practice Lucy Cash
K.Bae.Tré Douglas Kearney
Middleword Three Timothy Matthews
Afterword Jane Rendell
Foreword Jane Rendell
Introduction Orley and Hilevaara
Section One: Manifesto (How)
I Am for an Art Writing Susannah Thompson
Lyric Theory PA Skantze
Notitia, Trust, and Creative Research Iain Biggs
Writing Without Writing: Conversation as Material Emma Cocker
The Distracted Cyclist G D White
Footnoting Performance Mike Pearson
An extract from Asara and the Sea-Monstress: a Play with Theory Mojisola Adebayo
Same Difference Nic Conibere
Critical groundlessness: Reflections on embodiment, virtuality and Quizoola LIVE Diana Damian Martin
A Conjuring Act in The Form of an Interview Augusto Corrieri
Yoko Ono Fanfiction owko69 (Owen G. Parry)
A Fugue State of Theatre Joe Kelleher
Writing with fungi, contagious Taru Elfving
Middleword One Peter Jaeger
Section Two: Position (Where)
The Blind & Deaf Highway Woman Undine Sellbach and Stephen Loo
Writing about the Sound of Unicorns Salome Voegelin
Far Stretch - Listening to Sound Happening Ella Finer
Instructions for Literature and Life: Writing-With Landscape Performances of Joy Helene Frichot
Thirteen Points, Expanded Kristen Kreider and James O'Leary
Returning in the House of Democracy Brigid McLeer
Dancing Architecture: Architect-Walking Cathy Turner
Dolphin Square to MI6 Walk - produced by Disappearing, almost Phil Smith
It Moves: reflections on walking as a practice of writing Mary Paterson
In departures, not departing Tim Etchells
Within the margarine of error: on performing Michael Basinski's 'The Germ of Creativity' Chris Goode
Elfie und Elsinore (fur Heidi) Hayley Newman
Marking a Life Mitch Rose
Middleword Two Maria Fusco
Section Three: Beside-ness (Whom)
Stains & Other Traces: Notebooks and Critical Practice Simon Piasecki
An Actor's Attempt at Sisyphus' Stone: Memory, Performance and Archetype Goze Saner
81 Sentences for Squat Theater circa 1981 Lin Hixson and Matthew Goulish
Language, Lips and Legacy: a pedlar's life for me Tracy McKenna
A Series of Continuous Accidents Rajni Shah
The Construction of Self(ies) Joanne 'Bob' Whalley & Lee Miller
The Path on the Floor and Other Uses of Hand-drawing Karen Christopher
Searching for the 'bandaged place' Louise Tondeur
The Catalogue for the Public Library of Private Acts Johanna Linsley
Field Notes from a Choreographic Practice Lucy Cash
K.Bae.Tré Douglas Kearney
Middleword Three Timothy Matthews
Afterword Jane Rendell
Introduction Orley and Hilevaara
Section One: Manifesto (How)
I Am for an Art Writing Susannah Thompson
Lyric Theory PA Skantze
Notitia, Trust, and Creative Research Iain Biggs
Writing Without Writing: Conversation as Material Emma Cocker
The Distracted Cyclist G D White
Footnoting Performance Mike Pearson
An extract from Asara and the Sea-Monstress: a Play with Theory Mojisola Adebayo
Same Difference Nic Conibere
Critical groundlessness: Reflections on embodiment, virtuality and Quizoola LIVE Diana Damian Martin
A Conjuring Act in The Form of an Interview Augusto Corrieri
Yoko Ono Fanfiction owko69 (Owen G. Parry)
A Fugue State of Theatre Joe Kelleher
Writing with fungi, contagious Taru Elfving
Middleword One Peter Jaeger
Section Two: Position (Where)
The Blind & Deaf Highway Woman Undine Sellbach and Stephen Loo
Writing about the Sound of Unicorns Salome Voegelin
Far Stretch - Listening to Sound Happening Ella Finer
Instructions for Literature and Life: Writing-With Landscape Performances of Joy Helene Frichot
Thirteen Points, Expanded Kristen Kreider and James O'Leary
Returning in the House of Democracy Brigid McLeer
Dancing Architecture: Architect-Walking Cathy Turner
Dolphin Square to MI6 Walk - produced by Disappearing, almost Phil Smith
It Moves: reflections on walking as a practice of writing Mary Paterson
In departures, not departing Tim Etchells
Within the margarine of error: on performing Michael Basinski's 'The Germ of Creativity' Chris Goode
Elfie und Elsinore (fur Heidi) Hayley Newman
Marking a Life Mitch Rose
Middleword Two Maria Fusco
Section Three: Beside-ness (Whom)
Stains & Other Traces: Notebooks and Critical Practice Simon Piasecki
An Actor's Attempt at Sisyphus' Stone: Memory, Performance and Archetype Goze Saner
81 Sentences for Squat Theater circa 1981 Lin Hixson and Matthew Goulish
Language, Lips and Legacy: a pedlar's life for me Tracy McKenna
A Series of Continuous Accidents Rajni Shah
The Construction of Self(ies) Joanne 'Bob' Whalley & Lee Miller
The Path on the Floor and Other Uses of Hand-drawing Karen Christopher
Searching for the 'bandaged place' Louise Tondeur
The Catalogue for the Public Library of Private Acts Johanna Linsley
Field Notes from a Choreographic Practice Lucy Cash
K.Bae.Tré Douglas Kearney
Middleword Three Timothy Matthews
Afterword Jane Rendell