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This early work by Richard Marsh was originally published in 1899 and we are now republishing it with a brand new introductory biography. In the first part of this split narrative, Thomas Tennant finds himself in the same train compartment with Ellen Howth, a woman from his past. He leaves the carriage while the train is still moving, but 'Nelly' falls out instead. When a woman's body is found by the railway line, Tennant assumes she has died and accepts the guilt. The second narrator is Reginald Townsend, who has strangled his mistress under the railway arches. Nelly takes up the story,…mehr

Produktbeschreibung
This early work by Richard Marsh was originally published in 1899 and we are now republishing it with a brand new introductory biography. In the first part of this split narrative, Thomas Tennant finds himself in the same train compartment with Ellen Howth, a woman from his past. He leaves the carriage while the train is still moving, but 'Nelly' falls out instead. When a woman's body is found by the railway line, Tennant assumes she has died and accepts the guilt. The second narrator is Reginald Townsend, who has strangled his mistress under the railway arches. Nelly takes up the story, relating how she has argued with Tennant, fallen out of the train, and witnessed the murder. Richard Marsh - or otherwise known as Richard Bernard Heldmann - was born in England in 1857. Heldmann began publishing fiction during 1880, in the form of boys' school and adventure stories, for magazine publications. A best-selling and prolific author of the late 19th century and the Edwardian period, Marsh is best known now for his supernatural thriller novel The Beetle, which was published the same year as Bram Stoker's Dracula (1897).
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Autorenporträt
English writer Richard Marsh (1857 1915) is most remembered for producing a large body of popular literature in the late 19th and early 20th century. He was born in England as Richard Bernard Heldmann and used the pen name "Richard Marsh" for his writing. When Marsh started writing in the 1880s, he was well known for his ability to write engrossing mysteries, suspense, and otherworldly stories. Although Marsh wrote in a variety of genres, such as science fiction, horror, mystery, and romance, his contributions to the Victorian and Edwardian ghost story tradition are arguably what made him most famous. His works frequently combined the macabre and the bizarre, drawing comparisons to other highly regarded writers of the day like Bram Stoker and H.G. Wells.