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Do critics grant cultural permission or is their work merely descriptive? Is some art beyond criticism? How can critics bridge the gap between a sometimes hermetic art community and the general public? THE CRISIS OF CRITICISM is a collection of brilliantly argued, provocative essays that address the issue of the critic's authority and responsibilities.

Produktbeschreibung
Do critics grant cultural permission or is their work merely descriptive? Is some art beyond criticism? How can critics bridge the gap between a sometimes hermetic art community and the general public? THE CRISIS OF CRITICISM is a collection of brilliantly argued, provocative essays that address the issue of the critic's authority and responsibilities.
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Autorenporträt
Maurice Berger is a cultural historian, art critic, and curator. He is Research Professor and Chief Curator at the Center for Art, Design and Visual Culture, University of Maryland, Baltimore County. A student of the pioneering theoretical art historian Rosalind E. Krauss, he completed a B.A. at Hunter College and Ph.D. in art history and critical theory at the City University of New York. Berger is the author of eleven books on the subject of American art, culture, and the politics of race. His writing on art, film, television, theater, law, and the politics of race have appeared in many journals and newspapers, including "Artforum," "Art in America," the "New York Times," the "Village Voice," "October," "Wired," and the "Los Angeles Times." He has also contributed essays to numerous exhibition catalogs and anthologies.