John Houchin
The Critical Response to Eugene O'Neill
John Houchin
The Critical Response to Eugene O'Neill
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Extolled and maligned, Eugene O'Neill was unquestionably the first American playwright of international stature, and his major plays, such as The Iceman Cometh and Long Day's Journey Into Night, remain giants of the American stage. Acres of print have been devoted to O'Neill by theatre critics and literary scholars. This new collection assesses the full range of critical response, considered historically through the entire oeuvre and covering major themes and critical stances. It culls from opening night reviews of premieres and revivals as well as scholarly essays from influential critics and…mehr
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Extolled and maligned, Eugene O'Neill was unquestionably the first American playwright of international stature, and his major plays, such as The Iceman Cometh and Long Day's Journey Into Night, remain giants of the American stage. Acres of print have been devoted to O'Neill by theatre critics and literary scholars. This new collection assesses the full range of critical response, considered historically through the entire oeuvre and covering major themes and critical stances. It culls from opening night reviews of premieres and revivals as well as scholarly essays from influential critics and anonymous writers, from boosters and detractors, with the uniqueness of the critical observation being the main criterion for selection. An introduction outlines the major issues and avenues of O'Neill discourse, and a selective bibliography provides additional sources for O'Neill study.
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Produktdetails
- Produktdetails
- Verlag: Greenwood
- Seitenzahl: 344
- Erscheinungstermin: 21. September 1993
- Englisch
- Abmessung: 240mm x 161mm x 23mm
- Gewicht: 681g
- ISBN-13: 9780313276170
- ISBN-10: 031327617X
- Artikelnr.: 21692729
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
- Verlag: Greenwood
- Seitenzahl: 344
- Erscheinungstermin: 21. September 1993
- Englisch
- Abmessung: 240mm x 161mm x 23mm
- Gewicht: 681g
- ISBN-13: 9780313276170
- ISBN-10: 031327617X
- Artikelnr.: 21692729
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
JOHN H. HOUCHIN teaches at the Southern Illinois University. His publications have appeared in the Dictionary of Stage Directors published by Greenwood Press and The Drama Review.
Series Foreword by Cameron Northouse Preface Introduction: The O'Neill
Discourse by John H. Houchin Early Success: Down and Alley on Drama Trail
Washington Square Players The Play: New Bill at the Greenwich Village Seen
on the Stage: The Provincetown Players Theatre Arts Bookshelf The Plays of
Eugene O'Neill Second Thoughts on First Nights: The Provincetown Plays The
Drama: Beyond the Horizon (Towse) Beyond the Horizon (Ridge) Chris Eugene
O'Neill's Remarkable Play: The Emperor Jones The New Season Emperor Jones
Revived Experimentation and Controversy: The Play Drama: Gold Eugene
O'Neill's Anna Christie Is Thrilling Drama, Perfectly Acted with a Bad
Ending Second Thoughts on First Nights Chris and Poseidon: Man Versus God
in Anna Christie Theatre Eugene O'Neill's The Straw Is Gruesome Clinical
Tale First Man, New O'Neill Play, Is Gloomy Suburban Story The New Play The
Hairy Ape Eugene O'Neill's Emperor Jones and The Hairy Ape as Mirror Plays
The Theatre: Eugene O'Neill The Theatre: Welded New O'Neill Play and the
Mayor All God's Chillun and Others O'Neill and Racial Myths O'Neill Rarity
in Weak Revival Drama: The God of Stumps Desire Under the Elms Biblical
Perversion in Desire Under the Elms The New O'Neill Play and Some Others
The Great God Brown (Skinner) The Great God Brown (Young) Theatre The Birth
of Tragedy and The Great God Brown After the Battle The Theatres: Strange
Interlude Eugene O'Neill and the Guild Strange Interlude and Schopenhauer
O'Neill's Strange Interlude Retains Its Dramatic Power Reviews of O'Neill
Plays in Performance: Strange Interlude Lazarus Laughed Produced on Coast
Seen on Stage: Dynamo The Theatre: The American Dramatist Tragedy Becomes
O'Neill The Theatre: The Top Our Electra The Circle Moves Up Masking
Becomes Electra: O'Neill, Freud and the Feminine A Great American Comedy
Ah, Wilderness Revived by Guild Singing in the Wilderness: The Dark Vision
in Eugene O'Neill's Only Mature Comedy Great Day for the Irish The Theatre:
L'amour et--Mon Dieu O'Neill Discovers the Cross Eugene O'Neill The Late
Plays: Eugene O'Neill's New Play Is Powerful and Moving O'Neill--at Long
Last Iceman Returns The Iceman and the Bridegroom: Some Observations on the
Death of O'Neill's Salesman Stage: Iceman Cometh to Broadway Absence as
Presence: The Second Sex in The Iceman Cometh Robert Brustein on Theatre:
Souls on Ice Theatre: Long Day's Journey Into Night Theatre: Tragic Journey
Off Broadway: Return Journey Theatre: The Haunted Tyrones Long Day's Worth
the Journey Review of O'Neill Plays in Performance: Long Day's Journey Into
Night Communal, Familial, and Personal Memories in O'Neill's Long Day's
Journey Into Night Great Day for the Irish O'Neill Opus Long but Fiercely
Great The Stage: The Image and the Search Theatre: A Moon for the
Misbegotten "and yet . . . " Theatre A Moon for the Misbegotten The
Metatheatrics of A Moon for the Misbegotten Portman, Hayes and Stanley
Magnificent in Touch of Poet Theatre Theatre: Dream Addict A Touch of the
Poet: Memory and the Creative Imagination The Stage: Late O'Neill Theatre:
More Stately Mansions Opens The Stage: Unfinished Mansions The Brothel in
O'Neill's Mansions Thematic Analysis The Idea of Puritanism in the Plays of
O'Neill Freedom and Fixity in the Plays of Eugene O'Neill O'Neill's Many
Mothers: Mary Tyrone, Josie Hogan, and Their Antecedents An O'Neill
Chronology Selected Bibliography Index
Discourse by John H. Houchin Early Success: Down and Alley on Drama Trail
Washington Square Players The Play: New Bill at the Greenwich Village Seen
on the Stage: The Provincetown Players Theatre Arts Bookshelf The Plays of
Eugene O'Neill Second Thoughts on First Nights: The Provincetown Plays The
Drama: Beyond the Horizon (Towse) Beyond the Horizon (Ridge) Chris Eugene
O'Neill's Remarkable Play: The Emperor Jones The New Season Emperor Jones
Revived Experimentation and Controversy: The Play Drama: Gold Eugene
O'Neill's Anna Christie Is Thrilling Drama, Perfectly Acted with a Bad
Ending Second Thoughts on First Nights Chris and Poseidon: Man Versus God
in Anna Christie Theatre Eugene O'Neill's The Straw Is Gruesome Clinical
Tale First Man, New O'Neill Play, Is Gloomy Suburban Story The New Play The
Hairy Ape Eugene O'Neill's Emperor Jones and The Hairy Ape as Mirror Plays
The Theatre: Eugene O'Neill The Theatre: Welded New O'Neill Play and the
Mayor All God's Chillun and Others O'Neill and Racial Myths O'Neill Rarity
in Weak Revival Drama: The God of Stumps Desire Under the Elms Biblical
Perversion in Desire Under the Elms The New O'Neill Play and Some Others
The Great God Brown (Skinner) The Great God Brown (Young) Theatre The Birth
of Tragedy and The Great God Brown After the Battle The Theatres: Strange
Interlude Eugene O'Neill and the Guild Strange Interlude and Schopenhauer
O'Neill's Strange Interlude Retains Its Dramatic Power Reviews of O'Neill
Plays in Performance: Strange Interlude Lazarus Laughed Produced on Coast
Seen on Stage: Dynamo The Theatre: The American Dramatist Tragedy Becomes
O'Neill The Theatre: The Top Our Electra The Circle Moves Up Masking
Becomes Electra: O'Neill, Freud and the Feminine A Great American Comedy
Ah, Wilderness Revived by Guild Singing in the Wilderness: The Dark Vision
in Eugene O'Neill's Only Mature Comedy Great Day for the Irish The Theatre:
L'amour et--Mon Dieu O'Neill Discovers the Cross Eugene O'Neill The Late
Plays: Eugene O'Neill's New Play Is Powerful and Moving O'Neill--at Long
Last Iceman Returns The Iceman and the Bridegroom: Some Observations on the
Death of O'Neill's Salesman Stage: Iceman Cometh to Broadway Absence as
Presence: The Second Sex in The Iceman Cometh Robert Brustein on Theatre:
Souls on Ice Theatre: Long Day's Journey Into Night Theatre: Tragic Journey
Off Broadway: Return Journey Theatre: The Haunted Tyrones Long Day's Worth
the Journey Review of O'Neill Plays in Performance: Long Day's Journey Into
Night Communal, Familial, and Personal Memories in O'Neill's Long Day's
Journey Into Night Great Day for the Irish O'Neill Opus Long but Fiercely
Great The Stage: The Image and the Search Theatre: A Moon for the
Misbegotten "and yet . . . " Theatre A Moon for the Misbegotten The
Metatheatrics of A Moon for the Misbegotten Portman, Hayes and Stanley
Magnificent in Touch of Poet Theatre Theatre: Dream Addict A Touch of the
Poet: Memory and the Creative Imagination The Stage: Late O'Neill Theatre:
More Stately Mansions Opens The Stage: Unfinished Mansions The Brothel in
O'Neill's Mansions Thematic Analysis The Idea of Puritanism in the Plays of
O'Neill Freedom and Fixity in the Plays of Eugene O'Neill O'Neill's Many
Mothers: Mary Tyrone, Josie Hogan, and Their Antecedents An O'Neill
Chronology Selected Bibliography Index
Series Foreword by Cameron Northouse Preface Introduction: The O'Neill
Discourse by John H. Houchin Early Success: Down and Alley on Drama Trail
Washington Square Players The Play: New Bill at the Greenwich Village Seen
on the Stage: The Provincetown Players Theatre Arts Bookshelf The Plays of
Eugene O'Neill Second Thoughts on First Nights: The Provincetown Plays The
Drama: Beyond the Horizon (Towse) Beyond the Horizon (Ridge) Chris Eugene
O'Neill's Remarkable Play: The Emperor Jones The New Season Emperor Jones
Revived Experimentation and Controversy: The Play Drama: Gold Eugene
O'Neill's Anna Christie Is Thrilling Drama, Perfectly Acted with a Bad
Ending Second Thoughts on First Nights Chris and Poseidon: Man Versus God
in Anna Christie Theatre Eugene O'Neill's The Straw Is Gruesome Clinical
Tale First Man, New O'Neill Play, Is Gloomy Suburban Story The New Play The
Hairy Ape Eugene O'Neill's Emperor Jones and The Hairy Ape as Mirror Plays
The Theatre: Eugene O'Neill The Theatre: Welded New O'Neill Play and the
Mayor All God's Chillun and Others O'Neill and Racial Myths O'Neill Rarity
in Weak Revival Drama: The God of Stumps Desire Under the Elms Biblical
Perversion in Desire Under the Elms The New O'Neill Play and Some Others
The Great God Brown (Skinner) The Great God Brown (Young) Theatre The Birth
of Tragedy and The Great God Brown After the Battle The Theatres: Strange
Interlude Eugene O'Neill and the Guild Strange Interlude and Schopenhauer
O'Neill's Strange Interlude Retains Its Dramatic Power Reviews of O'Neill
Plays in Performance: Strange Interlude Lazarus Laughed Produced on Coast
Seen on Stage: Dynamo The Theatre: The American Dramatist Tragedy Becomes
O'Neill The Theatre: The Top Our Electra The Circle Moves Up Masking
Becomes Electra: O'Neill, Freud and the Feminine A Great American Comedy
Ah, Wilderness Revived by Guild Singing in the Wilderness: The Dark Vision
in Eugene O'Neill's Only Mature Comedy Great Day for the Irish The Theatre:
L'amour et--Mon Dieu O'Neill Discovers the Cross Eugene O'Neill The Late
Plays: Eugene O'Neill's New Play Is Powerful and Moving O'Neill--at Long
Last Iceman Returns The Iceman and the Bridegroom: Some Observations on the
Death of O'Neill's Salesman Stage: Iceman Cometh to Broadway Absence as
Presence: The Second Sex in The Iceman Cometh Robert Brustein on Theatre:
Souls on Ice Theatre: Long Day's Journey Into Night Theatre: Tragic Journey
Off Broadway: Return Journey Theatre: The Haunted Tyrones Long Day's Worth
the Journey Review of O'Neill Plays in Performance: Long Day's Journey Into
Night Communal, Familial, and Personal Memories in O'Neill's Long Day's
Journey Into Night Great Day for the Irish O'Neill Opus Long but Fiercely
Great The Stage: The Image and the Search Theatre: A Moon for the
Misbegotten "and yet . . . " Theatre A Moon for the Misbegotten The
Metatheatrics of A Moon for the Misbegotten Portman, Hayes and Stanley
Magnificent in Touch of Poet Theatre Theatre: Dream Addict A Touch of the
Poet: Memory and the Creative Imagination The Stage: Late O'Neill Theatre:
More Stately Mansions Opens The Stage: Unfinished Mansions The Brothel in
O'Neill's Mansions Thematic Analysis The Idea of Puritanism in the Plays of
O'Neill Freedom and Fixity in the Plays of Eugene O'Neill O'Neill's Many
Mothers: Mary Tyrone, Josie Hogan, and Their Antecedents An O'Neill
Chronology Selected Bibliography Index
Discourse by John H. Houchin Early Success: Down and Alley on Drama Trail
Washington Square Players The Play: New Bill at the Greenwich Village Seen
on the Stage: The Provincetown Players Theatre Arts Bookshelf The Plays of
Eugene O'Neill Second Thoughts on First Nights: The Provincetown Plays The
Drama: Beyond the Horizon (Towse) Beyond the Horizon (Ridge) Chris Eugene
O'Neill's Remarkable Play: The Emperor Jones The New Season Emperor Jones
Revived Experimentation and Controversy: The Play Drama: Gold Eugene
O'Neill's Anna Christie Is Thrilling Drama, Perfectly Acted with a Bad
Ending Second Thoughts on First Nights Chris and Poseidon: Man Versus God
in Anna Christie Theatre Eugene O'Neill's The Straw Is Gruesome Clinical
Tale First Man, New O'Neill Play, Is Gloomy Suburban Story The New Play The
Hairy Ape Eugene O'Neill's Emperor Jones and The Hairy Ape as Mirror Plays
The Theatre: Eugene O'Neill The Theatre: Welded New O'Neill Play and the
Mayor All God's Chillun and Others O'Neill and Racial Myths O'Neill Rarity
in Weak Revival Drama: The God of Stumps Desire Under the Elms Biblical
Perversion in Desire Under the Elms The New O'Neill Play and Some Others
The Great God Brown (Skinner) The Great God Brown (Young) Theatre The Birth
of Tragedy and The Great God Brown After the Battle The Theatres: Strange
Interlude Eugene O'Neill and the Guild Strange Interlude and Schopenhauer
O'Neill's Strange Interlude Retains Its Dramatic Power Reviews of O'Neill
Plays in Performance: Strange Interlude Lazarus Laughed Produced on Coast
Seen on Stage: Dynamo The Theatre: The American Dramatist Tragedy Becomes
O'Neill The Theatre: The Top Our Electra The Circle Moves Up Masking
Becomes Electra: O'Neill, Freud and the Feminine A Great American Comedy
Ah, Wilderness Revived by Guild Singing in the Wilderness: The Dark Vision
in Eugene O'Neill's Only Mature Comedy Great Day for the Irish The Theatre:
L'amour et--Mon Dieu O'Neill Discovers the Cross Eugene O'Neill The Late
Plays: Eugene O'Neill's New Play Is Powerful and Moving O'Neill--at Long
Last Iceman Returns The Iceman and the Bridegroom: Some Observations on the
Death of O'Neill's Salesman Stage: Iceman Cometh to Broadway Absence as
Presence: The Second Sex in The Iceman Cometh Robert Brustein on Theatre:
Souls on Ice Theatre: Long Day's Journey Into Night Theatre: Tragic Journey
Off Broadway: Return Journey Theatre: The Haunted Tyrones Long Day's Worth
the Journey Review of O'Neill Plays in Performance: Long Day's Journey Into
Night Communal, Familial, and Personal Memories in O'Neill's Long Day's
Journey Into Night Great Day for the Irish O'Neill Opus Long but Fiercely
Great The Stage: The Image and the Search Theatre: A Moon for the
Misbegotten "and yet . . . " Theatre A Moon for the Misbegotten The
Metatheatrics of A Moon for the Misbegotten Portman, Hayes and Stanley
Magnificent in Touch of Poet Theatre Theatre: Dream Addict A Touch of the
Poet: Memory and the Creative Imagination The Stage: Late O'Neill Theatre:
More Stately Mansions Opens The Stage: Unfinished Mansions The Brothel in
O'Neill's Mansions Thematic Analysis The Idea of Puritanism in the Plays of
O'Neill Freedom and Fixity in the Plays of Eugene O'Neill O'Neill's Many
Mothers: Mary Tyrone, Josie Hogan, and Their Antecedents An O'Neill
Chronology Selected Bibliography Index